Archive for the ‘Sand George’ Category

Opus 28 No 15 on Cottage Upright 5.mp4

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The raindrop prelude Frédéric Chopin wrote down in Mallorca in the monastery of Valldemosa. The weather was windy and stormy, the rooms dark and cold overlaid from creepy silence. The housclaks have always stolen foods and never done their work satisfactory. And then there it was always raining. So Chopin may be influences by all this in composing the prélude Opus 28 / 15. The so called raindrop-prélude. So called by George Sand. She said it seems to hear the Raindrops fallen down from roof to the ground. Chopin reacts with a little annoy. He said this interpretation is very childish. And not engough George added to her first description: The prélude he wrote down on this evening was filled of raindrops, which resounds on the clinking bricks; in his own fantasie and in his singing Raindrops changed into tears falling down from heaven to his heart. This is all a trying to explain with romantic words a composition without a lot of romance. I think, Chopin would show the piano players that it is possibel to change left and right hands work. So here you find the right hand giving rythm, speed and basics. Left had is playing a sometimes sweet and othertimes obtrusive melody which includes pain, love, and joy of life.

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george harrison – Devil’s Radio – Cloud Nine

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‘ A ‘ AIA ‘

‘ A ‘ AIA ‘ …… ARRIVAL Presenting: ‘ EYANNE ‘ First Assistant Photography: Rautea HOWAN Body Painting: Manu FARRARONS ‘MANO’A TATTOO’ Music: Ennio MORRICONE: ‘THE MISSION’ Chris HONORAT: ‘MORE’ Te TAVEVO: ‘L’ECHO’ British ANTHEM: ‘GOD SAVE THE QUEEN’ Special Thanks: RADISSON PLAZA RESORT Tahiti French Polynesia A passion story photographed with ‘EYANNE’ on the black sands of the island of Tahiti in the South Pacific … this is the seventh story in a series of short ‘FOTOFILMS’ called ‘Dreamscapes’ that are being photographed by John Stember in Tahiti. ‘A’AIA’ is the the Tahitian name for a white bird which has a an important significance in the ancient Ma’ohi culture as this bird indicates the presence of the ‘MANA’ … the all powerful life force highly respected in Polynesia … it was whilst taking these photographs of Eyanne on a black sand beach in Tahiti that two of these white birds suddenly appeared above our heads and circled for several minutes … which for us was a very good sign or omen … hence the name of this bird became the name of the film. The story deals with a dream of the ‘Dolphin’, which was the first European ship to arrive in Tahiti in 1767, when the island was claimed by the British Captain Samuel Wallace and named ‘King George’s Island’ and was integrated into the British Empire in honor of King George III of Great Britain who was the reigning monarch of the empire at that time. Body painting is primarily associated with Easter Island and

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Frédéric Chopin – Prelude in E-Minor (op.28 no. 4)

Frédéric Chopin-Prelude in E-Minor (op.28 no. 4) Played by: Aldona Dvarionaite Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: Frédéric [François] Chopin;March 1, 1810 — October 17, 1849) was a Polish virtuoso pianist and piano composer of the Romantic period. He is widely regarded as the greatest Polish composer, and one of the most influential composers for piano in the 19th century. Chopin was a genius of universal appeal. His music conquers the most diverse audiences. When the first notes of Chopin sound through the concert hall there is a happy sigh of recognition. All over the world men and women know his music. They love it. They are moved by it. Yet it is not “Romantic music” in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art. Even in this abstract atomic age, where emotion is not fashionable, Chopin endures. His music is the universal language of human communication. When I play Chopin I know I speak directly to the hearts of people! Chopin’s music for the piano combined a unique rhythmic sense (particularly his use of rubato), frequent use of chromaticism, and counterpoint. This mixture produces a particularly fragile sound in the melody and the harmony, which are nonetheless underpinned by solid and interesting harmonic techniques. He took the new salon genre of the nocturne, invented by Irish composer John Field, to a deeper level of sophistication. Three of

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In memoria lui Alin Sand:((

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