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DIE HARD (1988), DIE HARD 2 (1990), and DIE HARD: WITH A VENGEANCE (1995) constitute one of my favorite trilogies like the GODFATHER series. For the sake of brevity, in this collective review I’ll refer to them as DH1, DH2, and DH3.

The main thread that runs all throughout the three Die Hards is the loose cannon of a New York City cop John McClane (Bruce Willis) who finds himself pitted against world-class villains Hans Gruber (DH1), Col. Stuart (DH2) and Simon Gruber (DH3, brother of Hans Gruber). That conflict between good and bad is the central classic plot in all three DHs and it works much better in DH1 and DH3 than in DH2 for reasons I’ll explain later.

McClane’s wife Holly Gennero McClane (played by lovely Bonnie Bedelia) who found herself a new career in Los Angeles is the “love interest” subplot that threads through all three DHs despite her physical absence in DH3.

Police Sergeant Al Powell (played by Reginald Vel Johnson) has a prominent role in DH1 and a minor one in DH2 as a narrative device to knit links between these separate films.

There are specific references to DH1 by the characters in DH2 and DH3, as for example when they greet McClane as “that guy” who was at the “Nakatomi Towers” when “that thing” had happened.

There are also visual clues that establish cross-references like the liberal amount of glass shattered and sprayed all the over the place in DH2 which pays clear homage to that unforgettable naked-feet-on-glass scene in DH1.

The self-important TV reporter Richard-”Did You Get That?”-Thornburg (played by William Atherton) is another link between DH1 and DH2.

That’s why you must watch this trilogy by starting with DH1; otherwise certain scenes in DH2 and DH3 do not make any sense.

Stories in a nutshell:

DH1: McClane takes on a group of hi-tech terrorists who have taken his wife and others hostage at Nakatomi Towers in Los Angeles. Their idea is to steal the $600 million in the corporation’s vaults in a precision-timed operation but McClane interrupts rudely with the manic energy of a cop-cowboy on steroids.

DH2: A band of mercenaries take over and shut down the Washington Dulles Airport to kidnap a drug baron extradited from Latin America. They threaten to kill anyone if their plan is resisted and illustrate what they can do. But McClane’s wife Holly is a passenger in one of the 18 passenger aircrafts circling over Dulles at night and running out of fuel. McClane has no option but kick some serious ass.

DH3: The brother of the terrorist whom McClane killed at the Nakatomi Towers in DH1 is back with a vengeance, blowing department stores in Manhattan, threatening to blow away schools, while robbing New York Federal Reserve Bank with his German mercenaries. This time McClane is a personal target but he pays them back in spades and saves the NYC.

In all three DHs Bruce Willis’s hormone-pumped delivery of a cop who almost is amused by his own frequent brushes with death and destruction is central to the success of this franchise.

His wide-eyed hyperventilating chase scenes and his signature “yippee kay yee mother f****r!” victory hoop is already a part of the action-thriller movie lore against which the success of many characters of the same genre will be measured. Mel Gibson of the LETHAL WEAPON franchise is a name that measures up to Willis’s portrayal of McClane. But there still aren’t too many actors and characters out there to match that perfect fusion between Willis and his character McClane.

What differentiates these three DHs, though, is not the way Willis plays McClane but the VILLAINS he faces.

That’s why I think the DH1 and DH3 succeed where DH2 fails us. Hans and Simon Gruber (played by the gravel-voiced aristocrat Jeremy Irons) are truly scary characters unlike anything we encounter in real life.

Col. Stuart of DH2, on the other hand, starts out as a true psycho but ends up just another terrorist with an above-usual ease with hi-tech gadgets.

When Hans Gruber spirals down to his demise from the Nakatomi Tower in DH1 we are almost sorry for his destruction the way we might feel sorry for the death of the world’s largest white shark. When Col. Stuart dies, however, we are happy that the world is rid of a common pest. There is nothing mythical about him.

DH1 is special because, with perhaps the exception of the TOWERING INFERNO, we have not seen anything like it before. It is original and fresh and keeps us at the edge of our seats until the end.

DH3, on the other hand, is equally fascinating for two additional reasons. The great Samuel Jackson, who plays a pawnshop owner in Harlem who inadvertently gets sucked into the whole mess with Willis, does justice to the racial-tension subplot that adds another dimension to the story.

But another reason why I’ve watched DH3 with mixed feelings in my heart is because the movie was shot in 1995 and in some scenes you can clearly see the World Trade Center towers in the background. It’s such a burden as a movie fan to know what really happened in the Big Apple in 2001. We are certainly living in a different world now and probably it’s going to be very hard in the future to shoot another action-terror movie with big explosions in the heart of Manhattan. Suddenly certain scenes are not “just for entertainment” anymore. Suddenly our hearts no more tolerate that kind of “dramatic license” with reality.

DH1 and DH3 both rate an 8 out 10 in my book. I’m pegging DH2 a bit lower at 6 out of 10.

And if there’s going to be a DH4, dear producers, would you pretty please bring Bonnie Bedelia back. Thank you.

——————————————-

Ugur Akinci, Ph.D. is a Creative Copywriter, Editor, an experienced and award-winning Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases and hi-tech documentation.

He has worked as a Technical Writer for Fortune 100 companies for the last 7 years.

You can reach him at writer111@gmail.com for a FREE consultation on all your copywriting needs.

Please visit his official web site http://www.writer111.com for customer testimonials and more information on his multidisciplinary background and career.

The last book he has edited: http://www.lulu.com/content/263630

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DIE HARD (1988), DIE HARD 2 (1990), and DIE HARD: WITH A VENGEANCE (1995) constitute one of my favorite trilogies like the GODFATHER series. For the sake of brevity, in this collective review I’ll refer to them as DH1, DH2, and DH3.

The main thread that runs all throughout the three Die Hards is the loose cannon of a New York City cop John McClane (Bruce Willis) who finds himself pitted against world-class villains Hans Gruber (DH1), Col. Stuart (DH2) and Simon Gruber (DH3, brother of Hans Gruber). That conflict between good and bad is the central classic plot in all three DHs and it works much better in DH1 and DH3 than in DH2 for reasons I’ll explain later.

McClane’s wife Holly Gennero McClane (played by lovely Bonnie Bedelia) who found herself a new career in Los Angeles is the “love interest” subplot that threads through all three DHs despite her physical absence in DH3.

Police Sergeant Al Powell (played by Reginald Vel Johnson) has a prominent role in DH1 and a minor one in DH2 as a narrative device to knit links between these separate films.

There are specific references to DH1 by the characters in DH2 and DH3, as for example when they greet McClane as “that guy” who was at the “Nakatomi Towers” when “that thing” had happened.

There are also visual clues that establish cross-references like the liberal amount of glass shattered and sprayed all the over the place in DH2 which pays clear homage to that unforgettable naked-feet-on-glass scene in DH1.

The self-important TV reporter Richard-”Did You Get That?”-Thornburg (played by William Atherton) is another link between DH1 and DH2.

That’s why you must watch this trilogy by starting with DH1; otherwise certain scenes in DH2 and DH3 do not make any sense.

Stories in a nutshell:

DH1: McClane takes on a group of hi-tech terrorists who have taken his wife and others hostage at Nakatomi Towers in Los Angeles. Their idea is to steal the $600 million in the corporation’s vaults in a precision-timed operation but McClane interrupts rudely with the manic energy of a cop-cowboy on steroids.

DH2: A band of mercenaries take over and shut down the Washington Dulles Airport to kidnap a drug baron extradited from Latin America. They threaten to kill anyone if their plan is resisted and illustrate what they can do. But McClane’s wife Holly is a passenger in one of the 18 passenger aircrafts circling over Dulles at night and running out of fuel. McClane has no option but kick some serious ass.

DH3: The brother of the terrorist whom McClane killed at the Nakatomi Towers in DH1 is back with a vengeance, blowing department stores in Manhattan, threatening to blow away schools, while robbing New York Federal Reserve Bank with his German mercenaries. This time McClane is a personal target but he pays them back in spades and saves the NYC.

In all three DHs Bruce Willis’s hormone-pumped delivery of a cop who almost is amused by his own frequent brushes with death and destruction is central to the success of this franchise.

His wide-eyed hyperventilating chase scenes and his signature “yippee kay yee mother f****r!” victory hoop is already a part of the action-thriller movie lore against which the success of many characters of the same genre will be measured. Mel Gibson of the LETHAL WEAPON franchise is a name that measures up to Willis’s portrayal of McClane. But there still aren’t too many actors and characters out there to match that perfect fusion between Willis and his character McClane.

What differentiates these three DHs, though, is not the way Willis plays McClane but the VILLAINS he faces.

That’s why I think the DH1 and DH3 succeed where DH2 fails us. Hans and Simon Gruber (played by the gravel-voiced aristocrat Jeremy Irons) are truly scary characters unlike anything we encounter in real life.

Col. Stuart of DH2, on the other hand, starts out as a true psycho but ends up just another terrorist with an above-usual ease with hi-tech gadgets.

When Hans Gruber spirals down to his demise from the Nakatomi Tower in DH1 we are almost sorry for his destruction the way we might feel sorry for the death of the world’s largest white shark. When Col. Stuart dies, however, we are happy that the world is rid of a common pest. There is nothing mythical about him.

DH1 is special because, with perhaps the exception of the TOWERING INFERNO, we have not seen anything like it before. It is original and fresh and keeps us at the edge of our seats until the end.

DH3, on the other hand, is equally fascinating for two additional reasons. The great Samuel Jackson, who plays a pawnshop owner in Harlem who inadvertently gets sucked into the whole mess with Willis, does justice to the racial-tension subplot that adds another dimension to the story.

But another reason why I’ve watched DH3 with mixed feelings in my heart is because the movie was shot in 1995 and in some scenes you can clearly see the World Trade Center towers in the background. It’s such a burden as a movie fan to know what really happened in the Big Apple in 2001. We are certainly living in a different world now and probably it’s going to be very hard in the future to shoot another action-terror movie with big explosions in the heart of Manhattan. Suddenly certain scenes are not “just for entertainment” anymore. Suddenly our hearts no more tolerate that kind of “dramatic license” with reality.

DH1 and DH3 both rate an 8 out 10 in my book. I’m pegging DH2 a bit lower at 6 out of 10.

And if there’s going to be a DH4, dear producers, would you pretty please bring Bonnie Bedelia back. Thank you.

——————————————-

Ugur Akinci, Ph.D. is a Creative Copywriter, Editor, an experienced and award-winning Technical Communicator specializing in fundraising packages, direct sales copy, web content, press releases and hi-tech documentation.

He has worked as a Technical Writer for Fortune 100 companies for the last 7 years.

You can reach him at writer111@gmail.com for a FREE consultation on all your copywriting needs.

Please visit his official web site http://www.writer111.com for customer testimonials and more information on his multidisciplinary background and career.

The last book he has edited: http://www.lulu.com/content/263630

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These are a bunch of scenes from seasons one- four of Family Matters featuring Jaimee Foxworth.

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The first original theatrical trailer for the 1990 film “Die Hard 2.” Starring Bruce Willis, William Sadler, Art Evans, Bonnie Bedelia, Dennis Franz, William Atherton, Fred Dalton Thompson, John Amos, Franco Nero, Reginald VelJohnson, Robert Patrick, Colm Meaney. Directed by Renny Harlin.

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My Tribute To One Of The Best Sequels Ever Made, Die Hard 2: Die Harder(1990) Starring Bruce Willis, William Atherton, Bonnie Bedelia, William Sadler, Reginald VelJohnson, Franco Nero, John Amos, And Dennis Franz. Directed By Renny Harlin. Song Is Lovin’ Every Minute Of It By Loverboy

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This is another version of the Family Matters opening using Full House’s theme.

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Stirb langsam 2 [Blu-ray] Stirb langsam? Aber sicher!!! – Dany K. Robbins –
Ein Super Film, der auf die gute alte Action setzt. Bruce Willis in seiner vielleicht berühmtesten Rolle als “John MClane”. Und wieder nimmt er es alleine gegen eine ganze Terror-Gruppe auf. Diesmal macht er einen ganzen Flughafen unsicher. (An Heiligabend, versteht sich!)Der zweite Teil ist zwar schwächer als der erste, aber für jeden Bruce Willis Fan ein absolutes “Must have”!!! Deshalb 4 Sterne für einen gut aufgelegten Hauptdarsteller und guter Action von der ersten Minute an bis zum fulminanten Showdown.

Er blutet wie ein Schwein, doch bei “Stirb langsam” muss das halt sein! Wie der Bösewicht im Film fragt sich auch der Zuschauer:

“Wie viele Leben hat dieser Kerl eigentlich noch?”
Er ist stark wie Achilles.
Der Film heißt nicht umsonst: Stirb langsam.

Und man spürt: Bruce will es!!! Jipi Jayeah!!!
FOX: FOX Stirb Langsam 2, USK/FSK: 16+ VÖDatum: 02.11.07 Nach dem gigantischen Erfolg von Stirb langsam war es nur eine Frage der Zeit, bis eine Fortsetzung in die Kinos kommen sollte. Man gab dem finnischen Regisseur Renny Harlin, dessen größter Hit bis dato der vierte Teil der Nightmare-Serie war, 70 Millionen Dollar mit dem Befehl in die Hand: Lass es krachen! Und Harlin tat, wie ihm befohlen.

Die Geschichte ist einfach: Der Polizist John McClane (Bruce Willis) wartet am Flughafen von Washington D.C. auf seine Frau (Bonnie Bedelia), die mit einem Flieger aus Los Angeles anreist. Zufällig beobachtet McClane, wie sich zwei Männer in einen Gepäckraum schleichen. Er folgt ihnen — und wird nur Sekunden später in eine Schießerei verwickelt. Nun überschlagen sich die Ereignisse. Terroristen versuchen den Flughafen zu sabotieren, um auf diese Art und Weise einen mittelamerikanischen Diktator (Franco Nero) zu befreien, der auf dem Luftweg just an diesem Abend wenige Tage vor Weihnachten an die USA ausgeliefert wird.

Was folgt, ist einfach: Es kracht und knirscht an allen Ecken und Enden, Flugzeuge gehen in die Luft, eine spektakuläre Actionszene jagt die nächste — und wieder einmal ist John McClane mittendrin. Zwar fehlen dem Film die emotionalen Aspekte des ersten Teils, die Figuren wirken weniger komplex, doch wen interessiert das? Regisseur Renny Harlin, der seit Stirb langsam 2 solch explosive Filme wie Tödliche Weihnachten und Deep Blue Sea inszeniert hat, ist eben eher an großer Pyrotechnik als an Personenzeichnungen interessiert. Und auf diesem Gebiet ist er wahrscheinlich der beste Mann, den Hollywood zu bieten hat. So ist Stirb langsam 2 ein Fest für die Augen. Gehirn ausschalten, anschnallen und ab geht die Post. –Christian Lukas Stirb langsam 2 [Blu-ray]

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Stirb langsam (Special Edition, 2 DVDs) : Die Prämisse des Filmes ist denkbar einfach: Terroristen überfallen ein Hochhaus, verbarrikadieren sich vor der Polizei mit ihren Geiseln und stellen politische Forderungen (mit denen sie die Belagerer an der Nase herumführen — in Wahrheit nämlich wollen sie einen riesigen Tresor sprengen). Ihr Plan ist perfekt vorbereitet — doch leider übersehen sie einen Gast des Hauses: Einen Polizisten, der ein großes Interesse daran hat, die Terroristen aufzuhalten, denn eine ihrer Geiseln ist schließlich seine Ehefrau.

1988 kam Stirb langsam in die Kinos und entpuppte sich als Sensation. Mit einem minimalen Plot gelang es Regisseur John McTiernan und Kameramann Jan de Bon (Speed) einen bis dato einmaligen Actionknaller zu inszenieren, der in seiner Machart seinesgleichen sucht. Stirb langsam besitzt eine unglaubliche Dynamik, auf jede Aktion folgt eine Sekunde später eine Reaktion. Dabei steigert sich der Film und verschießt sein Pulver nicht zu Beginn. Es beginnt, fast schon archaisch, mit einer Prügelei, es folgen einige Schießereien, bis am Ende des Filmes das halbe Hochhaus in die Luft fliegt.

Nun hat es seit Stirb langsam eine ganze Palette an Filmen gegeben, die ganz ähnliche Geschichten erzählten, wie Passagier 57 (Terroristen kapern ein Flugzeug und übersehen einen Sicherheitsexperten), Alarmstufe: Rot (Terroristen kapern ein US-Kriegsschiff und übersehen den Koch!), um nur die erfolgreichsten zu nennen. Dennoch sticht Stirb langsam aus dem Feld ähnlicher Filme hervor. Dies ist vor allem seinem Hauptdarsteller Bruce Willis zu verdanken. Willis, vor Stirb langsam international vollkommen unbekannt und in den USA als Hauptdarsteller von Das Modell und der Schnüffler zwar ein Star — aber als Komödiant! –, kreierte mit der Figur des Polizisten John McClane einen neuen Typus von Actionhelden. McClane ist weder ein Superheld noch besitzt er besondere Fähigkeiten, die er als Soldat oder ähnliches erworben hätte. Als Polizist weiß er lediglich mit einer Waffe halbwegs umzugehen. Ansonsten ist er ein ganz normaler Kerl, der lediglich zur falschen Zeit am falschen Ort ist. McClane ist bei aller Härte, die der Film zu bieten hat, ein Mensch aus Fleisch und Blut. Verletzlich und emotional. Dies alles macht Stirb langsam bis zum heutigen Tag zu einem Meisterwerk des Action-Genres.

Ein Schmankerl am Rande: Der Bösewicht des Filmes, der von einem überragenden Alan Rickman dargestellt wird, heißt in der deutschen Fassung Jerry Gruber, in der US-Fassung lautet sein Name jedoch Hans — und er ist natürlich ein deutscher Terrorist! –Christian Lukas Das Zusatzmaterial bietet den Kinotrailer, der auf amüsante Weise zeigt, welch einen Quantensprung die Filmvorschauen in darauffolgenden Jahren gemacht haben. Weiterhin gibt es auf Texttafeln biografische und filmografische Daten zu den sechs Hauptdarstellern. Ein fünfminütiges Werbefilmchen zeigt einige Momentaufnahmen von der Arbeit hinter den Kulissen, vermischt mit Statements der Darsteller und des Regisseurs. Zum Schluss meldet sich auch der Mann zu Wort, der für die pyrotechnischen Effekte verantwortlich war. Und der hatte in Stirb Langsam ja so einiges zu tun. Der deutsche und englische Ton ist in Dolby Digital 5.1. –Alexander Röder Stirb langsam (Special Edition, 2 DVDs)

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