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Percussion Plus – Double Bass Pedal

Brand:Percussion Plus    List Price :$178.87    Sale Price :$178.87    Availibility :Usually ships in 1-2 business days

Percussion Plus – Double Bass Pedal Overviews

Heavy-duty bass drum pedal Double chain drive system provides a fast and smooth response. Convenient side mounted clamp adjustment makes it easy to attach or remove pedal from bass drum. Adjustable stroke and tension. Includes built in stabilizing spurs and a dual surface drum beater. Features: Double chain drive system, Dual surface beater, Side mounted bass drum hoop adjustement, and Stabilizer plate with spurs.

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Percussion Plus – Double Bass Pedal

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Normandy ATGWB-RR Archtop Guitar with Bigsby, Powder Coated, Rat-Rod Gray

Brand:Normandy Guitars    Model :ATGWB-RR    Customer Rating :    List Price :$2,599.99    Sale Price :$1,999.99    Availibility :Usually ships in 24 hours

Normandy ATGWB-RR Archtop Guitar with Bigsby, Powder Coated, Rat-Rod Gray Feature

• Aluminum Body constructed of aircraft-grade material
• Graphite Nut by Graphtech
• Hard Rock Maple neck with Rosewood Fretboard
• Bigsby Vibrato Tail Piece
• Gotoh Tuners

Normandy ATGWB-RR Archtop Guitar with Bigsby, Powder Coated, Rat-Rod Gray Overviews

Manufacturer’s Description (March 31, 2009)

Key Features

Every Normandy anodized archtop guitar comes fully loaded with these features - 

• Triple-electroplated chrome
• Aluminum body constructed of aircraft-grade material
• Warmoth hard rock maple with rosewood fretboard
• Tuners made by Gotoh
• Graphite nut made by Graphtech
• Normandy Humbuckers for high output, powerful midrange and tone
• Optional Vintage-style Bigbsby virbrato tailpiece or Gotoh Tune-O-Matic bridge

Ten Reasons to Own a Normandy Guitar

1. The Look – From the classic arch top curves of the body, to the vintage Bigsby-vibrato tailpiece, to the distinctive rivets front and back, there is simply no other guitar like it.
2. The Sound – The resonant, aircraft-grade aluminum body produces smooth, warm tones that ring true and long. Sustain is increased significantly when compared to that of a conventional wooden guitar body.
3. The Feel –The Normandy weighs 8.6-pounds, which is roughly the same (or less) than most other electric guitars. It maintains perfect balance when on a strap, and is so accommodating that you may just be able to go at it all night.
4. The Durability – This is a deceivingly solid piece of equipment.  You may be able to snap the neck, but the body will stand up to the most aggressive punk-inspired outbursts.
5. The Neck – Our maple-on-maple and rosewood-on-maple necks are shaped close to what you would find on an old-school jazz guitar – not too fat…not too thin.
6. The Pickups – Normandy Old School-Humbuckers with Alnico 5 magnets are overwound to 12K ohms for higher output, powerful midrange and driving tone.
7. The Craftsmanship – Normandy Guitars are made one at a time with quality and durability as our foremost concerns; they are built to stand the test of time from one gig to the next.
8. The Finish – The Chrome guitar is triple-electroplated, the School Bus and Army Green guitars are powder coated using a special baked-on finish and the Candy Apple Metal Flake finishes are far superior to the standard paint, stain, or varnish typically found on guitars.  Whatever the color, the appearance will outshine that of any guitar you’ve ever seen.
9. The Service – Normandy offers a warranty against defective materials and workmanship for the life of the guitar (check with the vendor for details).  Normandy takes pride in every one of their instruments playing its very best right out of the box.
10. Add it all up  –  Custom, boutique styling and quality that every player can afford.

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Normandy ATGWB-RR Archtop Guitar with Bigsby, Powder Coated, Rat-Rod Gray

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Normandy ATGWB-RR Archtop Guitar with Bigsby, Powder Coated, Rat-Rod Gray CustomerReview

This guitar is great. It has a Graphtech nut and a bigsby. It almost never goes out of tune, even if you use the bigsby! The Rat Rod is also built like a tank. It can stand up to almost anything. If you use the bridge pickup and some OD, you can get amazing rock tones. You can use it for punk, rock, or metal. The neck pickup sounds great for blues. If you roll back the volume slightly on the neck pickup, you can also get amazing jazz tones! It also has a heavy duty kill switch which allows you to switch it off when your not playing for no noise, or do crazy kill switch tricks. The Normandy Rad Rod is a great guitar at a great price. I would recommend it any day.

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RMS – 12-String Machine Head RGTM90C

Brand:RMS    List Price :$18.61    Sale Price :$18.61    Availibility :Usually ships in 1-2 business days

RMS – 12-String Machine Head RGTM90C Overviews

Same as GTM-85C except with 2 sets for a 12-string guitar. 1″ spacing from string post to string post

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RMS – 12-String Machine Head RGTM90C

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RMS – Chrome Acoustic/Electric Machine Head – 4-in-line Black

Brand:RMS    List Price :$33.68    Sale Price :$33.68    Availibility :Usually ships in 1-2 business days

RMS – Chrome Acoustic/Electric Machine Head – 4-in-line Black Overviews

RMS – Chrome Acoustic/Electric Machine Head – 4-in-line Black

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RMS – Chrome Acoustic/Electric Machine Head – 4-in-line Black

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Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed

Brand:Taylor Guitars    Model :DDSM-LFT    List Price :$4,998.00    Sale Price :$3,749.00    Availibility :Usually ships in 24 hours

Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed Feature

• Grand Auditorium
• Solid Sitka Spruce Top
• Solid Maple Back/Sides
• Cutaway; ES or L.R. Baggs
• Hardshell Case Included

Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed Overviews

Built to meet the fingerstyle legend’s exact specifications, the Doyle Dykes Signature Model features a short-scale, Grand Auditorium figured maple body, “Chet”-style fretboard markers, Florentine cutaway, and a pearl/abalone white rose peghead inlay. Available with the Taylor Expression System or the L.R. Baggs Doyle Dykes Signature System.

Left-handed body 6-string Grand Auditorium with Venetian cutaway Better amplification with the Taylor Expression System Sitka Spruce top Abalone soundhole rosette Offset pearl inlays on fretboard Big Leaf Maple back and sides Ebony fretboard, bridge, and headstock overlay Tusq nut and saddle Gold-plated Taylor Tuners Adjustable truss rode Strung with Elixir Light Gauge Strings with NANOWEB Coating

Taylor’s Grand Auditorium Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company’s 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble “zing” across the guitars tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removed mass from the width of the GAs braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

A Venitian cutaway in the Grand Auditorium body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.

Features a black Grand Auditorium body.

Made from Sitka and Big Leaf Maple
The top is made from Sitka Spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It’s these attributes that make Sitka Spruce an ideal material not only for soundboards, but also for internal bracing. The Sitka top will produce a tone slightly brighter tone than Engelmann Spruce.

The back and sides are made from big leaf maple, a wood with high-performance properties that have made it a favorite on stages and in recording studios. Its stiff, tight grain produces a clear, bright, compressed, balanced tone capable of cutting through an ensemble mix, and its relatively quick note “decay” gives maple a hedge against feedback. Maples range of tan coloration and widely varying grain figure–fiddleback, quilted, or highly flamed–make it one of the more beautiful tonewoods.

In short, the distinctive blend of Big Leaf maple and Sitka spruce gives a bright, crystaline timbre with strong projection and warm overtones. It’s a combination that truly “cuts through.”

The Taylor Expression System gives you a natural acoustic sound.

Pure Reproduction of An Acoustic Sound
In the past, Taylor had relied on after-market pickups that employed traditional piezo technology. But the result was a distorted tone that failed to capture the natural acoustic richness and dynamics of a Taylor for live performance. After several years of research, Taylor designed their own groundbreaking pickup system that uses magnetics much like a microphone. The result is an exceptionally pure reproduction of an acoustic guitars natural sound. The Taylor Expression System delivers an amplified tone that will satisfy the most demanding pro player, yet makes it simple for anyone to plug in and sound great.

The Expression System incorporates three different magnetic sensors. Two strategically placed Dynamic Body Sensors affixed to the underside of the soundboard capture the complex nuances of the tops vibration, while a Dynamic String Sensor mounted beneath the fretboard extension registers string and neck vibration. The preamp boosts the pickup signal cleanly, without the need for artificial EQ “coloration. The balanced, low-impedance signal the Expression System produces can run direct into a mixer or PA in most situations, and is free of distortion at almost any volume.

Three simple, unintrusive onboard control knobs preserve the aesthetic beauty of your Taylor, yet allow you to easily adjust the volume, bass, and treble to suit your personal preferences and performance environment. When set flat, the tone controls add no color and produce the most natural sound. Or, add bass or treble (or subtract) to adjust for the room or personal tastes. The payoff is in the purity of high-fidelity amplified tone, unprecedented dynamic range, and extraordinary resistance to feedback and distortion. It enables all of the expressive subtleties of your playing to come through, just the way you intended.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The inlay and binding work was also done by hand, providing care and “touch” that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too “bassy,” for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance is not compromised.

Features ornate rose inlay on headstock.

Features offset pearl inlays on fretboard.

Straight Necks Matter
Don’t all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon–often resulting in a slight bump at the 14th fret–but not all guitars respond to it in the same way.

Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.

Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.

The bottom line: The NT Neck means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

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Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed

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Fernandes Retrorocket Pro Electric Guitar – Cherry Sunburst

Brand:Fernandes    Model :Retrorocket Pro    List Price :$799.00    Sale Price :$599.00    Availibility :Usually ships in 1-2 business days

Fernandes Retrorocket Pro Electric Guitar – Cherry Sunburst Feature

• Fernandes Sustainer
• Floyd Rose Licensed Locking Tremolo
• Ash Body/Maple Neck
• Bolt On Neck
• 22 Fret fingerboard

Fernandes Retrorocket Pro Electric Guitar – Cherry Sunburst Overviews

Both novice and experienced guitarists agree that the Retrorocket is a no-frills tone machine, with quality craftsmanship, a classic appearance and a comfortable neck. The Retrorocket Pro brings the power of infinite sustain to the most popular guitar body shape in the world, featuring a Solid Ash body, bolt-on Maple neck, 22-fret Rosewood fingerboard, 2 single coil – 1 humbucker pickup configuration including the patented Fernandes Sustainer™ System for maximum sustain at the flick of a switch. The Retrorocket Pro comes in 3 beautiful finishes: Cherry Sunburst, Tobacco Sunburst and Black

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Fernandes Retrorocket Pro Electric Guitar – Cherry Sunburst

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