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Gibson J-185 EC Acoustic-Electric Guitar, Antique Natural
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Gibson J-185 EC Acoustic-Electric Guitar, Antique Natural
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Brand:Gibson Acoustic Model :J8J5AANNH1 Customer Rating : List Price :$4,021.00
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Gibson J-185 EC Acoustic-Electric Guitar, Antique Natural Feature
- Nickel Grover Rotomatic TunersCrown Peghead LogoAbalone rosetteRosewood Fingerboard with Rolled Edges and Split Parallelogram InlaysFishman Aura Pro Acoustic Pickup SystemGibson LogoTapered Dovetail Neck JointRadius TopNitrocellulose Finish
Gibson J-185 EC Acoustic-Electric Guitar, Antique Natural Overviews
The legacy of Gibson’s line of celebrated Jumbos is not lost in the J-185 EC. This eye-catching model builds on the traditional foundation of Gibson’s Jumbo body style, and moves into the present vanguard with a cutaway design for easier playability, along with several elegant, modern appointments for increased aesthetic appeal. The sound is everything you expect from a Gibson Jumbo: warm, huge low end with ringing, harmonically rich treble response, capable of achieving a pure dynamic contrast, which makes it the perfect acoustic for just about any musical genre.Nickel Grover Rotomatic TunersGrover’s original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the J-185 EC. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.Crown Peghead LogoGibson put the first crown peghead logo on an ES-300 back in 1940, and it has graced the headstocks of many legendary Gibson guitars ever since, including today’s J-185 EC. Over the years, it has also been called a “thistle” because of the group of flowering plants with the sharp prickles, though Gibson has preferred to call it a “crown.”Pickguard The tortoise pickguard for the J-185 EC is Gibson’s standard 1950s-style Jumbo shape. As with all of Gibson Acoustic’s pickguards, the coloring, inlay, and binding are all crafted by hand. Abalone RosetteA rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-185 EC is a double-ring rosette with an
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Gibson J-185 EC Acoustic-Electric Guitar, Antique Natural Specifications
Gibson’s J-185 EC: Beauty and Sonic Excellence
Gibson’s J-185 EC personifies the essence of aesthetic beauty and sonic excellence expected in a Gibson Jumbo acoustic. Its brilliance is felt as soon as the first chord is strummed, releasing the qualities and characteristics of a true legend. Gibson’s J-185 EC is everything a Jumbo acoustic should be, and then some. It starts with a premium Sitka spruce top matched with some of the finest Indian rosewood in the world for the back and sides, giving the J-185 EC a warm, rich tone together with the usual full lows and well-defined highs.
The J-185 EC Acoustic-Electric Guitar Features Nickel Grover Rotomatic Tuners
Grover’s original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the J-185 EC. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.
Fishman Aura Pro Acoustic Pickup System
Gibson’s J-185 EC comes equipped with a built-in Fishman Aura Pro, featuring Fishman’s popular Aura Acoustic Imaging Technology. This ground-breaking pickup system reproduces the natural sound of the J-185 EC as miked in a professional studio, and onstage, thus eliminating the complicated setups of expensive microphones. Auro Pro uses digital algorithms to create images of various microphones’ captured sounds. Players can then blend these images with an acoustic guitar’s pickup to produce an immediate and dramatic improvement in amplified sound. The Fishman Aura Pro’s preamp includes a tuner, and is mounted on the bass side rim of the upper bout.
Crown Peghead Logo
Gibson put the first crown peghead logo on an ES-300 back in 1940, and it has graced the headstocks of many legendary Gibson guitars ever since, including today’s J-185 EC. Over the years, it has also been called a “thistle” because of the group of flowering plants with the sharp prickles, though Gibson has preferred to call it a “crown.”
Pickguard
The pickguard for the J-185 EC is a custom series designed especially for its distinct cutaway shape. As with all of Gibson Acoustic’s pickguards, the coloring, inlay, and binding are all done by hand.
Gibson Acoustic Guitars: Bracing
Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument’s sound projection. The bracing pattern inside the J-185 EC was created in 1951 as a smaller version of the design used in the Gibson’s legendary Super Jumbos. This traditional “X” pattern delivers an exceptionally balanced tonal palette ideal for both the stage and studio environments, making the J-185 EC a standard choice among today’s discerning players.
Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson acoustic guitar–including the J-185 EC–is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally “breathe” and mature.
Microscopically thin, the finish on a Gibson acoustic guitar first requires seven main coats of nitrocellulose lacquer. After drying overnight, the initial seven coats are then level sanded and given two additional coats. Left to dry for five additional days, the finish is then wet sanded and buffed to its final glass-like sheen. The time-consuming nature of applying a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It’s also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish.
Body Binding
In general, a guitar’s binding serves as a cosmetic feature, adding a subtle elegance to any Gibson acoustic while hiding the joints between the top, back, and sides, and helping to protect the guitar’s body from any nicks or dings. But to see the process of putting the binding on a Gibson acoustic is to really appreciate the effort and attention put into each instrument. After the body has been glued together, the excess from the top and back are trimmed off and a groove is cut for the binding. The binding is then glued on and held on to the body using tape, and hung to dry. When the tape comes off, any excess glue is removed and the body is moved into the next phase of production. It has been done the same way for over 100 years, and is a fundamental part of Gibson Acoustic’s rich guitar-making history.
Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson acoustic guitar–including the J-185 EC–is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally “breathe” and mature.
Microscopically thin, the finish on a Gibson acoustic guitar first requires seven main coats of nitrocellulose lacquer. After drying overnight, the initial seven coats are then level sanded and given two additional coats. Left to dry for five additional days, the finish is then wet sanded and buffed to its final glass-like sheen. The time-consuming nature of applying a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It’s also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish.
The Gibson Story
The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time–the Super Jumbos, the J-45, the Hummingbird, the Dove. There is no mistaking the classic, mother-of-pearl logo, pressed onto the face of the headstock. It represents more than a century of originality and excellence. There is simply no equal.
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Daisy Rock Butterfly Jumbo Acoustic-Electric Guitar, Zebra Butterfly
Daisy Rock Butterfly Jumbo Acoustic-Electric Guitar, Zebra Butterfly
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Brand:Daisy Rock Model :14-6281 Customer Rating : List Price :$589.00
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Daisy Rock Butterfly Jumbo Acoustic-Electric Guitar, Zebra Butterfly Feature
- Daisy Rock’s exclusive “Slim & Narrow” neck design makes it easier for girls with smaller hands to play the guitar.
- Lightweight construction makes the guitar easier to manage and more comfortable to play.
- High-quality Fishman Isys-401 electronics with volume, contour, and phase controls.
- Includes a gig bag.
- Arrives set up, ready to play, and is backed by a limited lifetime warranty.
Daisy Rock Butterfly Jumbo Acoustic-Electric Guitar, Zebra Butterfly Overviews
The Daisy Rock Butterfly Jumbo Acoustic/Electric guitar is a full scale instrument designed specifically for girls looking for a high quality instrument with a deep, full-bodied sound. This elegant and inspirational guitar will lift your music to new heights! True to form, the Butterfly Jumbo A/E features Daisy Rock’s trademark “Slim & Narrow” neck (which makes it easier for girls with smaller hands to play), and a lightweight, slightly scaled down jumbo body so it’s more manageable than a standard jumbo size acoustic. In addition to the gorgeous exotic wood this guitar is constructed from, Daisy Rock adds a touch of elegance with white binding, butterfly rosewood bridge, and a butterfly inlay as the 12th fret marker. Plus, the on board preamp/pickup system is the high-quality Fishman Isys to ensure that the guitar’s tone sounds great when plugged in. Also, a gig bag is included so you can carry your Daisy Rock around in style! All Daisy Rock guitars include a limited lifetime warranty, arrive set up, and are ready to play. What are you waiting for? Get your Daisy Rock Butterfly Jumbo Acoustic/Electric guitar today and join the girl rock revolution!
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Ibanez RG470AH Electric Guitar Natural Flat
Ibanez RG470AH Electric Guitar Natural Flat
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Brand:Ibanez Model :RG470AHNTF |
Ibanez RG470AH Electric Guitar Natural Flat Feature
- RG modelSolidbody double-cutaway Light ash body3-piece bolt-on maple neck25.5″ scaleWizard II neck profile1.69″ nut width24 jumbo fretsBound rosewood fretboard16.9″ compound radius Sharktooth inlaysInfinity 4 bridge humbucking pickupInfinity Single 3 middle single-coil pickup Infinity 3 neck humbucking pickupMaster volume and tone knobs 5-way blade pickup selectorDie-cast locking tunersDouble locking Edge III tremolo bridge Cosmo black hardwareCase sold separately
Ibanez RG470AH Electric Guitar Natural Flat Overviews
The Ibanez RG470 Electric Guitar has a double-cutaway body made out of light ash, and a bound 24-fret rosewood fretboard. its 3-piece maple neck boasts a Wizard II profile for fast and effortless shredding. A low-profile Ibanez Edge III double-locking bridge stands up to serious abuse without losing pitch. Ibanez Infinity pickups offer more bite and chunk with balanced string output. Aesthetic touches on the RG470AH guitar include sharktooth fingerboard inlays and black hardware.Infinity PickupsThe humbucking Infinity 3 ceramic neck pickup provides dynamic sound for chording and rhythm. The single coil Infinity Single 3 middle pickup is equipped with an alnico magnet and is traditional sounding but yields a higher output. It is designed to work with humbuckers in the split position. The Infinity 4 bridge humbucker also has an alnico magnet and delivers a brilliant tone for lead work while providing warmth and generating good harmonics.Edge III tremoloThe Edge III tremolo has lower profile tuners for better palm comfort and provides strength and extraordinary tuning stability even under the most demanding playing conditions. The diabolical, double-locking Ibanez Edge III bridge encourages the the most radical tremolo effects ever, as well as providing total tuning stability. For 2 decades, the legion of Ibanez RG warriors has grown like a virus, thrusting the RG guitar to the head of the metal pack. Like other members of the Ibanez RG crew, the RG470AH guitar’s fast, flat neck, rabid pickups and double-locking tremolo combine to create sonic demons from beyond the world of mortals.
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Danelectro FAB Flange Effects Pedal
Danelectro FAB Flange Effects Pedal
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Brand:andreasinc List Price :$49.95
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Danelectro FAB Flange Effects Pedal Feature
- Regen, Speed, and Depth knobs
- Large foot button
- On/off LED
- 9V operation, battery (not included) or optional adaptor
- Rubber base
Danelectro FAB Flange Effects Pedal Overviews
This full-powered Danelectro Fab Flange sports all the Dano attitude and an amazingly low price. Regen, Speed, and Depth knobs give you mad-scientist control over your tone. Large foot button and on/off LED. Cool retro-futuristic design is small and tough with a rubber base. Runs on 9V battery or optional 9V DC adaptor.
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Wahsburn Festival Series EA21SB Acoustic Guitar
Wahsburn Festival Series EA21SB Acoustic Guitar
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Brand:Washburn Model :EA21SB List Price :$533.90 |
Wahsburn Festival Series EA21SB Acoustic Guitar Feature
- Solid Sitka Spruce Top
- Exclusive Wood Rosette
- 1/4″ scalloped sitka spruce bracing
- Double action truss rod
- Bone Nut and Saddle
Wahsburn Festival Series EA21SB Acoustic Guitar Overviews
Mini Jumbo Acoustic, Solid Spruce Top, Basswood Sides/Back, Black.
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Gibson ES-335 Block Inlay Electric Guitar, Antique Red
Gibson ES-335 Block Inlay Electric Guitar, Antique Red
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Brand:Gibson Memphis Model :ESDYARDNH1 List Price :$4,934.00
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Gibson ES-335 Block Inlay Electric Guitar, Antique Red Feature
- The hardware is nickel, with an ABR bridge and stop tailpiece
- Neck is one-piece mahogany shaped to a 1963 slim taper profile that’s 24-inch scale length and 1 11/16th-inches wide at the nut.
Gibson ES-335 Block Inlay Electric Guitar, Antique Red Overviews
Chuck Berry, B.B. King, and other formative players in the evolving early days of rock and electric blues had already immortalized the Gibson ES-335 when the company’s engineers fine-tuned the guitar in 1963. Today’s Custom Shop ES-335 Block Inlay Reissue model reflects those original refinements, which enhance the guitar’s playability and beauty.
Countless music legends have immortalized Gibson’s ES-335.

Two ’57 Classic humbucking pickups and stopbar tailpiece. |
Headstock with rich holly veneer and vintage tulip style tuners. |
History
The popularity of the ES-335 was already secure and continued to grow, but in1963 when the first generation of the revamped ES-335s left Gibson’s Kalamazoo factory sales peaked. That year the dots on the fingerboard of the standard ES-335 inaugurated in 1958 were replaced with the block inlays that give this Custom Shop model its name. They provided easier visibility in live playing situations, where lighting is often less than ideal, and an extra touch of eye-catching class. The other refinement to the ’63 was the use of the tapered, thinner-profile neck common to Gibson’s built in the ’60s.
Near-perfect Recreation
The ES-335 Block Inlay guitars made by Gibson’s Custom Shop in Memphis today benefit from the exacting standards of contemporary guitar building technology, resulting in a much more consistent instrument than those that originally rolled off the assembly line. And before each finished guitar leaves the Custom Shop floor it is examined and adjusted by one of the company’s state-of-the-art Pleck machines, so it leaves set up for maximum playability.
To recreate a vintage look, the plain maple top, back, and rims of the ES-335 Block Inlay come finished in antique red or antique teaburst. Like the Fat Neck model, it has a lightweight maple centerblock to provide its classic semi-hollowbody resonant and tonal characteristics. Unlike the all-maple 1963 ES-335 Block reissue model, the ES-335 Block Inlay has a three-ply maple/poplar/maple body construction. There’s single-ply cream binding on the top and back and a five-ply ’63 style long pickguard. The hardware is nickel, with an ABR bridge and stop tailpiece.
The ES-355 Block Inlay models’ neck is one-piece mahogany shaped to a 1963 slim taper profile that’s 24-inch scale length and 1 11/16th-inches wide at the nut. The guitar has a 22-fret rosewood fingerboard with pearloid small block inlays and single-ply cream binding. The tuners are vintage tulip shaped, handsomely complimenting the headstock.
Unlike the Custom Shop 1963 ES-335 Block reissue, which has a pair of Gibson ’57 Classic humbuckers, the ES-335 Block Inlay comes with Burstbucker Pro 1 and 2 pickups. They are controlled by two volume pots, two tone pots, and a three-way selector switch. And these guitars leave the factory strung with Gibson Brite Wire .010 strings inside a black levant case, to enhance their historic feel and presence.
Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and allows the wood to breathe and age properly.
All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.
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Gibson ES-335 Block Inlay Electric Guitar, Antique Red
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Washburn WD10 Series WMJ11S Acoustic Guitar
Washburn WD10 Series WMJ11S Acoustic Guitar
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Brand:Washburn Model :WMJ11S List Price :$354.90 |
Washburn WD10 Series WMJ11S Acoustic Guitar Feature
- Solid Cedar Top
- Exclusive Wood Rosette
- 1/4″ scalloped sitka spruce bracing
- Double action truss rod
- Bone Nut and Saddle
Washburn WD10 Series WMJ11S Acoustic Guitar Overviews
Mini Jumbo Acoustic, Solid Cedar Top, Mahogany Sides/Back, Natural.
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Washburn WD10 Series WMJ11S Acoustic Guitar
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Aria DM-380 Electric Guitar – Candy Apple Red
Aria DM-380 Electric Guitar – Candy Apple Red
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Brand:Aria Model :DM-380ca List Price :$359.95
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Aria DM-380 Electric Guitar – Candy Apple Red Feature
- Cool vintage vibe
- Great playability
- Alder body with maple neck
- Rosewood fingerboard
- Chrome Hardware
Aria DM-380 Electric Guitar – Candy Apple Red Overviews
Aria first released the Diamond Series of guitars in the ’60s and it quickly became the icon for the era. The retro body design and vintage pickups work perfectly together to deliver a “blast from the past” that in undeniably cool.
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Aria DM-380 Electric Guitar – Candy Apple Red
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Danelectro Cool Cat CO-2 Overdrive V2 Guitar Effects Pedal
Danelectro Cool Cat CO-2 Overdrive V2 Guitar Effects Pedal
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Brand:andreasinc List Price :$99.99
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Danelectro Cool Cat CO-2 Overdrive V2 Guitar Effects Pedal Feature
- Tone thickening
- Warm saturation
- True Bypass (3PDT)
- Metal Case
- Metal Jack
Danelectro Cool Cat CO-2 Overdrive V2 Guitar Effects Pedal Overviews
The Danelectro Cool Cat CO-2 overdrive effect pedal adds a healthy dollop of color to your guitar tone with plenty of crunch and bloom. It’s very responsive to touch as well as your guitar’s volume and tone controls; while it’s thicker than the Transparent Overdrive, your guitar’s voice still comes through.
The Drive controls set the amount of overdrive from minimum (fully counter-clockwise) to maximum (fully clockwise). Higher settings have higher distortion, volume and low end bloom. The tone control adjusts the tone of the Drive, so you can find your tonal “sweet spot.” Turn clockwise for brighter tones and counter clockwise for darker tones. Volume control adjusts the overall volume of the Danelectro Cool Cat pedal, with plenty of range to allow even low drive settings. This guitar pedal has lots of volume, so start with your amp and the volume control turned down. The true bypass footswitch engages and disengages the overdrive pedal.
Features:
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Danelectro Cool Cat CO-2 Overdrive V2 Guitar Effects Pedal
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Danelectro FAB Distortion Effects Pedal – Red (D1)
Danelectro FAB Distortion Effects Pedal – Red (D1)
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Brand:Danelectro List Price :$19.99
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Danelectro FAB Distortion Effects Pedal – Red (D1) Feature
- Warm vintage distortion
- Responsive
- Level, Tone, and Distortion knobs
- Versatile sounds
- Shipped Insured!
Danelectro FAB Distortion Effects Pedal – Red (D1) Overviews
Fat and warm vintage distortion, priced for players.
In the late 70s a tiny effects maker in Japan produced a small quantity of what many believe is the definitive distortion box. It had delicious tonality and was highly responsive and versatile. Recently, a boutique pedal maker reissued that box at 0+. Danelectro offers you the D-1 Fab Distortion as a sonic equivalent to the prized original. It’s equipped with Level, Tone, and Distortion controls. You’ll adore it.
Features:
* Brand New!
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Danelectro FAB Distortion Effects Pedal – Red (D1)
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