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Wahsburn WD20 Series WMJ21S Acoustic Guitar

Brand:Washburn    Model :WMJ21S    List Price :$444.90    Sale Price :$249.00    Availibility :Usually ships in 24 hours

Wahsburn WD20 Series WMJ21S Acoustic Guitar Feature

• Solid Cedar Top
• Exclusive Wood Rosette
• 1/4″ scalloped sitka spruce bracing
• Double action truss rod
• Bone Nut and Saddle

Wahsburn WD20 Series WMJ21S Acoustic Guitar Overviews

Mini Jumbo Acoustic, Solid Cedar Top, Rosewood Sides/Back, Natural.

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Wahsburn WD20 Series WMJ21S Acoustic Guitar

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Godin A6 Two-Chambered Electro-Acoustic Guitar (Ultra Black)

Brand:Godin    Model :A6 Ultra    List Price :$949.00    Sale Price :$789.00    Availibility :Usually ships in 24 hours

Godin A6 Two-Chambered Electro-Acoustic Guitar (Ultra Black) Feature

• North American made
• Double-Action Truss Rod
• Honduras Mahogany Neck
• Electric/Acoustic tone possibilities

Godin A6 Two-Chambered Electro-Acoustic Guitar (Ultra Black) Overviews

Two-Chambered Electro-Acoustic Guitar

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Godin A6 Two-Chambered Electro-Acoustic Guitar (Ultra Black)

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Gibson 1958 Les Paul Plain Top VOS Electric Guitar, Faded Tobacco

Brand:Gibson Custom Shop    Model :LPR8PVOFTNH1    List Price :$5,174.00    Sale Price :$3,699.00    Availibility :Usually ships in 24 hours

Gibson 1958 Les Paul Plain Top VOS Electric Guitar, Faded Tobacco Feature

• With a rich, rubbed appearance, this instrument is a true beauty.
• Nitrocellulose Finish

Gibson 1958 Les Paul Plain Top VOS Electric Guitar, Faded Tobacco Overviews

Objects of distinction are seldom recognized immediately, and this was certainly the case when Gibson introduced the newly renamed Les Paul Standard in July of 1958. Having already made several modifications to the base Les Paul Model guitar over the previous two years–the Tune-o-matic bridge and stopbar tailpiece being the most notable changes–the new Les Paul Standard introduced in 1958 hoped to correct Gibson’s waning sales of solid body electric guitars, which had been on the decline ever since 1953 when the company shipped 2,245 instruments.

With a rich, rubbed appearance, this instrument is a true beauty.

Body
For the 1958 Standard Plaintop, Gibson decided to arrange the maple top in two “bookmatched” pieces glued together at the center seam, giving each guitar its very own distinct look and marking the beginning of the guitar world’s fascination with figured maple tops, even though the majority of the tops used in 1958 were considered “plain” when compared to the tops used one year later and beyond.

Gibson’s legendary Burstbucker pickups and Tune-o-matic bridge.

22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals.

Finish
Legendary Gibson president Ted McCarty and his staff partly blamed the guitar’s Goldtop finish as the main culprit for the sales slump and decided to forego the finish in favor of new, brighter finish dubbed Cherry Sunburst, which allowed the natural beauty of the maple top to be showcased–something that had previously been concealed by the Goldtop finish.

Additionally, Cherry Sunburst was the only color other than Gold that was used to finish the new Les Paul Standards in 1958, even though clear differences in the color of vintage examples would suggest otherwise. These variations were due mainly to the inconsistency of the red pigment used by Gibson to paint the sunburst finish, a problem that wasn’t corrected until the early 1960s and which caused many of the guitars to fade to some degree of amber, honey or yellow hue. This “problem” inadvertently led to the creation of many of the finishes used today on numerous Gibson guitars, including Honey Burst, Tobacco Burst, Light Burst, Iced Tea Burst, Lemon Burst, Vintage Sun Burst and, of course, the original Heritage Cherry Sun Burst.

Near-perfect Recreation
The 1958 Les Paul Standard reissue produced today by Gibson Custom is true to all of the original instrument’s features and characteristics, including Gibson’s traditional hand-carved “plain” maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1958, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon–one of the Les Paul’s more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size and color of the originals. Of course, two of Gibson’s legendary Burstbucker pickups deliver all the subtle variations of true, classic humbucker tone by using historically “unmatched” bobbin windings and Alnico II magnets. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply thin binding around the body, and period-correct switchwasher and jackplate. The 1958 Les Paul Standard comes in either a V.O.S. or Gloss finish, and with the standard Gibson Custom case, custom care kit and certificate of authenticity. They are available in Faded Tobacco Burst, Washed Cherry Burst, Iced Tea Burst, Bourbon Burst, Lemon Burst and Sunrise Tea Burst finishes.

Nitrocellulose Finish
Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not “seal” wood in an airtight shell–as a poly finish does–and allows the wood to breathe and age properly.

All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

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Gibson 1958 Les Paul Plain Top VOS Electric Guitar, Faded Tobacco

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Ernie Ball Music Man John Petrucci 7 Electric Guitar Piezo Bridge, Pearl Redburst

Brand:Music Man    Model :971-10-26-00-cs-cr    List Price :$3,190.00    Sale Price :$2,233.00    Availibility :Usually ships in 24 hours

Ernie Ball Music Man John Petrucci 7 Electric Guitar Piezo Bridge, Pearl Redburst Feature

• John Petrucci Signature Model
• Oil and wax finished neck
• Made in the USA
• Bolt on neck
• Piezo Bridge

Ernie Ball Music Man John Petrucci 7 Electric Guitar Piezo Bridge, Pearl Redburst Overviews

Made in the USA. Basswood Body. 24 Frets. JP Shield Inlays. Music Man floating tremolo with Piezo, Schaller locking tuning keys

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Ernie Ball Music Man John Petrucci 7 Electric Guitar Piezo Bridge, Pearl Redburst

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Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed

Brand:Taylor Guitars    Model :DN4-LFT    List Price :$1,798.00    Sale Price :$1,349.00    Availibility :Usually ships in 24 hours

Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed Feature

• Solid Sitka Spruce Top
• Solid Ovangkol Back/Sides
• Dreadnought
• Left Handed
• Hardshell Case Included

Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed Overviews

The heralded Dreadnought is the most traditional of all acoustics. By definition, it’s a battleship of a guitar and the Taylor left-handed DN4 pays tribute to that legacy–and then some. The look and tone of this ovangkol and Sitka spruce acoustic guitar combination rival almost any other in the high-end guitar world. Yet Taylor’s ability to affordably source this beautiful, rosewood-like tonewood keeps it decidedly within reach.

Left-handed 6-String Dreadnought Sitka Spruce top Ovangkol back and sides Ebony fretboard and bridge Tusq nut and saddle Chrome-plated Taylor tuners Adjustable truss rode Strung with Elixir Medium Gauge Strings with NANOWEB Coating

Taylor’s Dreadnought
The original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor’s, have been derivative of that early design. In 1997, however, Bob Taylor re- designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor’s signature balance and clarity. Dreadnought six-strings shine as “plectrum” or “rhythm” guitars because they respond well to flatpicking or light-to-heavy strumming.

Features ebony wood fretboard and bridge.

Made from Sitka and Ovangkol
The top is made from Sitka Spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It’s these attributes that make Sitka Spruce an ideal material not only for soundboards, but also for internal bracing. The Sitka top will produce a tone slightly brighter tone than Engelmann Spruce.

The back and sides of the left-handed DN4 are made from ovangkol, an attractive hardwood indigenous to tropical West Africa. Usually, its coloration runs from yellow-brown to a mottled olive-brown to dark brown, and it features stripes that run from gray to almost black. When it has significant purple coloration, however, ovangkols variegation and grain pattern closely resemble East Indian rosewood. It also shares some tonal characteristics with rosewood, but boasts the livelier “sparkle” found in such medium-density hardwoods as mahogany, walnut, and koa.

Solid sitka spruce top is joined with ovangkol sides and back for a tone similar to rosewood, but with the livelier sparkle of mahogany.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods for the left-handed DN4 were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The left-handed DN4s pearl inlay and binding work was also done by hand, providing care and “touch” that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too “bassy,” for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the left-handed DN4 is not compromised.

Most Dreadnought players prefer a flatpicking, heavy-strumming guitar, able to put out some serious volume and beefy bass frequencies. Dreads have more bracing mass, so they shine as “plectrum” or “rhythm” guitars. Revoicing in 2003 (500 Series and up) created a completely new Taylor Dreadnought: one that is louder, with deeper bass frequencies, yet manages to maintain the clarity and balance of the trademark Taylor tone.

Features small pearl inlays.

Straight Necks Matter
Don’t all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon–often resulting in a slight bump at the 14th fret–but not all guitars respond to it in the same way.

Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.

Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.

The bottom line: The NT Neck on the left-handed DN4 means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the left-handed DN4 guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

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Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed

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RMS – Chrome Acoustic/Electric Machine Head – 6 per side

Brand:RMS    List Price :$21.27    Sale Price :$18.24    Availibility :Usually ships in 1-2 business days

RMS – Chrome Acoustic/Electric Machine Head – 6 per side Overviews

RMS – Chrome Acoustic/Electric Machine Head – 6 per side

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RMS – Chrome Acoustic/Electric Machine Head – 6 per side

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Antonio Hermosa AH-8 Classical Guitar, Cedar Top

Brand:Antonio Hermosa    Model :AH-8    List Price :$159.99    Sale Price :$119.99    Availibility :Usually ships in 24 hours

Antonio Hermosa AH-8 Classical Guitar, Cedar Top Feature

• Cedar Top
• Mahogany Back & Sides
• Gold Plated Tuners with Brown Pearloid Buttons
• Maple Binding
• Rosewood Fretboard
• Cedar Top. Maple Binding

Antonio Hermosa AH-8 Classical Guitar, Cedar Top Overviews

The cedar top classical guitar features mahogany back and sides, gold plated tuners with brown pearloid buttons and 3-ply top purfling.

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Antonio Hermosa AH-8 Classical Guitar, Cedar Top

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Wechter Model 6524R Deluxe Resonator

Brand:Wechter Guitars    Model :6524R Deluxe    List Price :$1,199.95    Sale Price :$899.96    Availibility :Usually ships in 24 hours

Wechter Model 6524R Deluxe Resonator Feature

• Curly Maple Top
• Curly Maple Back and Sides
• Fingerboard with flush maple fret markers and dot inlay
• Round Soundholes
• Deluxe Padded Gig Bag included

Wechter Model 6524R Deluxe Resonator Overviews

The Wechter 6524R acoustic squareneck resonator guitar gives you the looks and sound you’d expect out of a classic resonator, but goes one better: improvements made to the dimensions, resonator baffle, and soundholes by renowned designer Tim Scheerhorn make the 6524R project and sound even better! This instrument includes a curly maple top, back, and sides, with a nato neck and rosewood fingerboard. It features round, screened soundholes, die-cast tuning machines, and a beautiful finish – the 6524R looks nearly as amazing as it sounds! Almond sunburst finish.

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Wechter Model 6524R Deluxe Resonator

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Fender Deluxe Nashville Tele® Guitar with Gig Bag – Maple Fretboard, Brown Sunburst

Brand:Fender    List Price :$899.99    Sale Price :$599.99    Availibility :Usually ships in 24 hours

Fender Deluxe Nashville Tele® Guitar with Gig Bag – Maple Fretboard, Brown Sunburst Feature

• Tex-Mex Strat® Pickup in the Mid Position with 5-Way Strat-o-Tone Switching
• Tex-Mex Tele® Single-Coil Bridge Pickup
• American Vintage 6-Saddle, Strings-Thru-Body Tele® Bridge
• Strings : Super Bullets® 250L, NPS (.009-.042 Gauges)
• Includes Gig Bag

Fender Deluxe Nashville Tele® Guitar with Gig Bag – Maple Fretboard, Brown Sunburst Overviews

Down-home and sophisticated, like the city it honors, the Nashville Tele® guitar comes fitted with a Tex-Mex Strat® pickup sandwiched between two Tex-Mex Tele® pickups. This array, combined with five-way Strat-o-Tone switching, makes it one of the most versatile Telecaster® guitars we make. Available with either a maple or rosewood fingerboard, it also features an ash (Amber, Honey Blonde) or alder (Candy Apple Red, Brown Sunburst) body, brown shell pickguard, vintage machine heads, vintage six-saddle bridge and medium jumbo frets.

Electronics

Bridge Pickup : Tex-Mex Tele® Single-Coil Bridge Pickup
Controls : Master Volume, Master Tone
Middle Pickup : Tex-Mex Single Coil Middle Pickup
Neck Pickup : Tex-Mex Tele® Single-Coil Neck Pickup
Pickup Configuration : S/S/S
Pickup Switching : 5 Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Middle Pickup , Position 3. Middle Pickup , Position 4. Middle and Neck Pickup , Position 5. Neck Pickup

Hardware

Bridge : American Vintage 6-Saddle, Strings-Thru-Body Tele® Bridge
Hardware : Chrome
Straplocks : Vintage Style Strap Buttons
String Nut : Synthetic Bone Nut
Switch Tip : “Barrel” Style Switch Tip
Tuning Machines : Vintage Style Tuning Machines

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Fender Deluxe Nashville Tele® Guitar with Gig Bag – Maple Fretboard, Brown Sunburst

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Golden Gate S-96FV T Style Guitar Neck (Vintage/Maple)

Brand:Golden Gate    Model :S-96FV    List Price :$79.95    Sale Price :$35.78    Availibility :Usually ships in 24 hours

Golden Gate S-96FV T Style Guitar Neck (Vintage/Maple) Feature

• Each neck is made from select Canadian Maple
• Aged finish, Rosewood fingerboard with M-O-P dot inlays for T-style guitar (Flat neck pocket)
• Pre-fretted with truss rod installed
• Headstock requires final shaping for that personal touch Holes pre-drilled for tuner installation
• Scale length: 25-1/2″ Width at nut: 1-11/16″ Width at 22nd fret position: 2-3/16″ Fretboard radius: 12″ Fretwire: .040″ high x .100″ wide Nut slot: 1/8″ wide

Golden Gate S-96FV T Style Guitar Neck (Vintage/Maple) Overviews

Golden Gate T style electric guitar neck. Each neck is made from select Canadian Maple Aged finish, Rosewood fingerboard with M-O-P dot inlays for T-style guitar (Flat neck pocket) Pre-fretted with truss rod installed Headstock requires final shaping for that personal touch Holes pre-drilled for tuner installation Scale length: 25-1/2″Width at nut: 1-11/16″ Width at 22nd fret position: 2-3/16″ Fretboard radius: 12″ Fretwire: .040″ high x .100″ wide Nut slot: 1/8″ wide

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Golden Gate S-96FV T Style Guitar Neck (Vintage/Maple)

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