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Kona Thin Body Acoustic/Electric Guitar – Natural (K2)

Brand:Kona    Model :K2    Customer Rating :    List Price :$149.99    Sale Price :$139.99    Availibility :Usually ships in 1-2 business days

Kona Thin Body Acoustic/Electric Guitar – Natural (K2) Feature

• Stringed Instrument Features: Right-Handed, Adjustable Truss Rod
• Dimensions: Length: 41.0 “; Depth: 3.0 “
• Warranty Description: 1 Year Limited Manufacturer Warranty
• Required, Not Included: Amplifier, Guitar Cord
• Includes: Polishing Cloth, Pick Guards
• Wood Finish: Natural

Kona Thin Body Acoustic/Electric Guitar – Natural (K2) Overviews

Kona Thin Body Acoustic/Electric Guitar – Natural (K2):Dimensions: Length: 41.0 “; Depth: 3.0 “; Manufacturer Suggested Age: 10 Years and Up; Includes: Polishing Cloth, Pick Guards; Warranty Description: 1 Year Limited Manufacturer Warranty.

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Kona Thin Body Acoustic/Electric Guitar – Natural (K2)

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Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left

Brand:Taylor Guitars    Model :214 LFT    Customer Rating :    List Price :$1,098.00    Sale Price :$799.00    Availibility :Usually ships in 24 hours

Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left Feature

• Solid Sitka Spruce Top
• Rosewood Back/Sides
• Grand Auditorium
• Hardshell Case Included

Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left Overviews

Learn More About the Taylor Guitars 214 Model for Left-Handed Guitarists

With a satin solid spruce top and Indian rosewood laminate back and sides, the affordably-priced Taylor 214 is an impressive introduction to the dreadnought Taylor playing experience.

This model of the Taylor 214 is designed with left-handed guitarists in mind.

Grand Auditorium Guitars: A Taylor Tradition the Taylor 214 Continues

Introduced in 1994 to commemorate Taylor’s 20th Anniversary, the Grand Auditorium would go on to establish itself as a definitive Bob Taylor original. Tonally, the guitar embodied the qualities of balance, clarity, and versatility that became hallmark Taylor traits. Visually, the shape gave the world an equally balanced and refined aesthetic of smooth curves. In both respects, the GA was at once big enough and small enough to cover a lot of ground.

The goal, Bob says, was simply to make a guitar that was big like a dreadnought, but without a dreadnought’s traditionally boomy sound, even though the Taylor Dreadnought wasn’t boomy compared to other guitar brands. “I was looking for a good, clear tone that had volume when you played fingerstyle, which was pretty popular at the time, but then when you strummed didn’t have too much bass.”

The GA has the width and depth of a Dreadnought, but its tapered waist and contours give it the appearance of a smaller instrument, making it comfortable to play. The tonal balance means it’s full in the lower register, present in the midrange, and sparkling on the treble strings.

The GA’s tonal balance also made it a favorite of engineers.

“You put a mic in front of the guitar and set everything to zero, you turn on the tape, and you play,” Bob explains. “A lot of studio owners and engineers bought the GA just to put in the studio, because when things started going bad with players’ guitars during a session, the engineer would say, ‘We can get this job done today if you just play this guitar.’ A lot of it was the shape. We made a few bracing changes, but we depended on the shape to change that tone.”

More About the 200 Series of Taylor Guitars

Meet the all-new 200 Series: Premium guitars that will change your expectations about what a serious entry-level instrument can embody. Featuring solid Sitka spruce tops and Indian rosewood back and sides, this series delivers the quality sound and feel you’d expect from a Taylor guitar.

About Taylor Guitars

Founded in 1974, Taylor Guitars has evolved into one of the world’s leading manufacturers of premium acoustic and electric guitars. Renowned for blending an innovative use of modern technology with a master craftsman’s attention to detail, Taylor guitars are widely considered the best sounding and easiest to play in the world. Many of today’s leading musicians make Taylor their guitar of choice, including Dave Matthews, Prince, Mick Jagger and Taylor Swift.

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Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left

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Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left Specifications

The 214′s quality, style, and attractive price tag are compelling before you even pick one up, and that first strum backs it all up with great tone. Left-handed model.

Gorgeous Indian rosewood laminate back and sides.

Classic pearloid dot inlays.

The Taylor 200 Series
The 200 Series redefines what a mid-priced guitar can be. A satin, solid Sitka spruce top meets gorgeous Indian rosewood laminate back and sides, delivering the quality sound and feel you’d expect from a Taylor. Plug in with the optional Taylor electronics and take your performance to the stage with confidence.

Sitka Spruce Top
Sitka Spruce (Picea sitchensis) grows in a coastal “pocket” from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.

Indian Rosewood Laminate Back/Sides
Indian Rosewood (Dalbergia latifolia) is coveted by players and guitar builders alike for its dark, luxurious coloration, which ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars.

Grand Auditorium Body Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company’s 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble “zing” across the guitar’s tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because we remove mass from the width of the GA’s braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA, available as a 6- or 12-sting, is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

Chrome-Plate Tuners
Taylor Tuners continue the industry-leading 18:1 gear ratio that they’ve been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight “slop”, or slack, typical among tuners, which makes it even easier for Taylor owners to get–and stay–in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.

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Taylor Guitars 214, Grand Auditorium, Solid Sitka Spruce Top, Rosewood Back/Sides, Left CustomerReview

The Taylor 214 is a beautiful work of art. The sound quality is simply amazing. Everytime I play it I am overwhelmed by the sound and ease of play.

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Taylor Guitars GT8 8 String Baritone Grand Symphony Acoustic Electric Guitar

Brand:Taylor Guitars    Model :GT8    List Price :$3,998.00    Sale Price :$3,199.00    Availibility :Usually ships in 24 hours

Taylor Guitars GT8 8 String Baritone Grand Symphony Acoustic Electric Guitar Feature

• Grand Symphony
• Solid Sitka Spruce Top
• Solid Indian Rosewood Back/Sides
• Cutaway; ES
• Hardshell Case Included

Taylor Guitars GT8 8 String Baritone Grand Symphony Acoustic Electric Guitar Overviews

A truly unique voice, the 8-string baritone GS complements the baritones lower tonal range by pairing two octave strings with the third and fourth strings, adding a touch of upper-octave brightness without too much 12-string jangle. The result is a guitar with incredible tonal range, perfect for walking basslines and rich melodies.

8-string Grand Symphony with Venetian cutaway Better amplification with the Taylor Expression System Sitka Spruce top Indian rosewood back and sides 27-inch scale Abalone soundhole rosette and pearl diamond inlays Ebony fretboard and bridge Bone nut and saddle Gold-plated Taylor tuners Adjustable truss rode Strung with Elixir Baritone strings

Has a deeper tone with its 27-inch scale Grand Symphony body.

Taylor’s Grand Symphony Shape
The Grand Symphony (GS) is the first original shape from Bob Taylor since he unveiled the Grand Auditorium (GA) in 1995. Though you might see similarities to a GA, the GS is unique in both sound and design. Significant changes in its geometry yield a deeper, more piano-like bass. The waist is moved a bit higher, and is 3/8 of an inch wider. The result is a reduction in the “pinching” of the waist, which releases more tonal output from the guitar. Finally, the lower bout is expanded, making it feel slightly rounder. They’re subtle changes that yield a far-from-subtle change in tone. Complementing the robust bass from the GS body, volume and low-end sustain are full, rich mids and clear, balanced highs. The GS is a unique sound and a new dimension in Taylor tone.

A Venitian cutaway in the Grand Auditorium body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.

Crisp and Bold Tone
The top is made from sitka spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It’s these attributes that make sitka spruce an ideal material not only for soundboards, but also for internal bracing. The sitka top will produce a tone slightly brighter tone than engelmann spruce.

The back and sides are made from Indian rosewood, which is coveted by players and guitar builders alike for its dark, luxurious coloration that ranges from brown to purple to rose to black, and for tonal characteristics that include a strong bass response and long sustain. It remains the most popular tonewood used in the making of high-quality acoustic guitars.

The 8 strings add a touch of upper-octave brightness without too much 12-string jangle.

Pure Reproduction of An Acoustic Sound
In the past, Taylor had relied on after-market pickups that employed traditional piezo technology. But the result was a distorted tone that failed to capture the natural acoustic richness and dynamics of a Taylor for live performance. After several years of research, Taylor designed their own groundbreaking pickup system that uses magnetics much like a microphone. The result is an exceptionally pure reproduction of an acoustic guitars natural sound. The Taylor Expression System delivers an amplified tone that will satisfy the most demanding pro player, yet makes it simple for anyone to plug in and sound great.

The Expression System incorporates three different magnetic sensors. Two strategically placed Dynamic Body Sensors affixed to the underside of the soundboard capture the complex nuances of the tops vibration, while a Dynamic String Sensor mounted beneath the fretboard extension registers string and neck vibration. The preamp boosts the pickup signal cleanly, without the need for artificial EQ “coloration. The balanced, low-impedance signal the Expression System produces can run direct into a mixer or PA in most situations, and is free of distortion at almost any volume.

The Taylor Expression System gives you a natural acoustic sound.

Three simple, unintrusive onboard control knobs preserve the aesthetic beauty of your Taylor, yet allow you to easily adjust the volume, bass, and treble to suit your personal preferences and performance environment. When set flat, the tone controls add no color and produce the most natural sound. Or, add bass or treble (or subtract) to adjust for the room or personal tastes. The payoff is in the purity of high-fidelity amplified tone, unprecedented dynamic range, and extraordinary resistance to feedback and distortion. It enables all of the expressive subtleties of your playing to come through, just the way you intended.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods for the GT8 were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The GT8 pearl and abalone inlay and binding work was also done by hand, providing care and “touch” that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too “bassy,” for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the GT8 is not compromised.

Straight Necks Matter
Don’t all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon–often resulting in a slight bump at the 14th fret–but not all guitars respond to it in the same way.

Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.

Features pearl diamond inlays.

Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.

The bottom line: The NT Neck on the GT8 means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the 314ce guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

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Taylor Guitars GT8 8 String Baritone Grand Symphony Acoustic Electric Guitar

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Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed

Brand:Taylor Guitars    Model :DN4-LFT    List Price :$1,798.00    Sale Price :$1,349.00    Availibility :Usually ships in 24 hours

Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed Feature

• Solid Sitka Spruce Top
• Solid Ovangkol Back/Sides
• Dreadnought
• Left Handed
• Hardshell Case Included

Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed Overviews

The heralded Dreadnought is the most traditional of all acoustics. By definition, it’s a battleship of a guitar and the Taylor left-handed DN4 pays tribute to that legacy–and then some. The look and tone of this ovangkol and Sitka spruce acoustic guitar combination rival almost any other in the high-end guitar world. Yet Taylor’s ability to affordably source this beautiful, rosewood-like tonewood keeps it decidedly within reach.

Left-handed 6-String Dreadnought Sitka Spruce top Ovangkol back and sides Ebony fretboard and bridge Tusq nut and saddle Chrome-plated Taylor tuners Adjustable truss rode Strung with Elixir Medium Gauge Strings with NANOWEB Coating

Taylor’s Dreadnought
The original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor’s, have been derivative of that early design. In 1997, however, Bob Taylor re- designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor’s signature balance and clarity. Dreadnought six-strings shine as “plectrum” or “rhythm” guitars because they respond well to flatpicking or light-to-heavy strumming.

Features ebony wood fretboard and bridge.

Made from Sitka and Ovangkol
The top is made from Sitka Spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It’s these attributes that make Sitka Spruce an ideal material not only for soundboards, but also for internal bracing. The Sitka top will produce a tone slightly brighter tone than Engelmann Spruce.

The back and sides of the left-handed DN4 are made from ovangkol, an attractive hardwood indigenous to tropical West Africa. Usually, its coloration runs from yellow-brown to a mottled olive-brown to dark brown, and it features stripes that run from gray to almost black. When it has significant purple coloration, however, ovangkols variegation and grain pattern closely resemble East Indian rosewood. It also shares some tonal characteristics with rosewood, but boasts the livelier “sparkle” found in such medium-density hardwoods as mahogany, walnut, and koa.

Solid sitka spruce top is joined with ovangkol sides and back for a tone similar to rosewood, but with the livelier sparkle of mahogany.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods for the left-handed DN4 were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The left-handed DN4s pearl inlay and binding work was also done by hand, providing care and “touch” that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too “bassy,” for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance on the left-handed DN4 is not compromised.

Most Dreadnought players prefer a flatpicking, heavy-strumming guitar, able to put out some serious volume and beefy bass frequencies. Dreads have more bracing mass, so they shine as “plectrum” or “rhythm” guitars. Revoicing in 2003 (500 Series and up) created a completely new Taylor Dreadnought: one that is louder, with deeper bass frequencies, yet manages to maintain the clarity and balance of the trademark Taylor tone.

Features small pearl inlays.

Straight Necks Matter
Don’t all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon–often resulting in a slight bump at the 14th fret–but not all guitars respond to it in the same way.

Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.

Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.

The bottom line: The NT Neck on the left-handed DN4 means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the left-handed DN4 guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

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Taylor Guitars DN4-LFT Dreadnought Acoustic Electric Guitar, Left Handed

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Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed

Brand:Taylor Guitars    Model :DDSM-LFT    List Price :$4,998.00    Sale Price :$3,749.00    Availibility :Usually ships in 24 hours

Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed Feature

• Grand Auditorium
• Solid Sitka Spruce Top
• Solid Maple Back/Sides
• Cutaway; ES or L.R. Baggs
• Hardshell Case Included

Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed Overviews

Built to meet the fingerstyle legend’s exact specifications, the Doyle Dykes Signature Model features a short-scale, Grand Auditorium figured maple body, “Chet”-style fretboard markers, Florentine cutaway, and a pearl/abalone white rose peghead inlay. Available with the Taylor Expression System or the L.R. Baggs Doyle Dykes Signature System.

Left-handed body 6-string Grand Auditorium with Venetian cutaway Better amplification with the Taylor Expression System Sitka Spruce top Abalone soundhole rosette Offset pearl inlays on fretboard Big Leaf Maple back and sides Ebony fretboard, bridge, and headstock overlay Tusq nut and saddle Gold-plated Taylor Tuners Adjustable truss rode Strung with Elixir Light Gauge Strings with NANOWEB Coating

Taylor’s Grand Auditorium Shape
The Grand Auditorium was the first guitar shape designed from scratch by Bob Taylor. It was unveiled to commemorate the company’s 20th Anniversary in 1994, and since then it has more than lived up to its promise. Although the GA has the width and depth of a Dreadnought, its narrower waist gives it the appearance of a smaller instrument, adds treble “zing” across the guitars tonal spectrum, sharpens the definition of individual notes, and also enables it to rest comfortably in the lap. Because Taylor removed mass from the width of the GAs braces, the guitar top moves faster, resulting in a snappy, bell-like tone. The GA is designed to be a strong fingerpicking guitar that also can handle medium strumming, and is exceptionally versatile.

A Venitian cutaway in the Grand Auditorium body allows better access to the upper frets. In the past, many players moving to acoustic guitars grew accustomed to the cutaways on their electric guitars, while others simply like the freedom of movement into the upper register that a cutaway allows. Now, cutaways are favored as much for their decorative appeal as for their function.

Features a black Grand Auditorium body.

Made from Sitka and Big Leaf Maple
The top is made from Sitka Spruce, a dense, straight-grained wood that has the highest strength and elasticity-to-weight ratio among available tonewoods. It’s these attributes that make Sitka Spruce an ideal material not only for soundboards, but also for internal bracing. The Sitka top will produce a tone slightly brighter tone than Engelmann Spruce.

The back and sides are made from big leaf maple, a wood with high-performance properties that have made it a favorite on stages and in recording studios. Its stiff, tight grain produces a clear, bright, compressed, balanced tone capable of cutting through an ensemble mix, and its relatively quick note “decay” gives maple a hedge against feedback. Maples range of tan coloration and widely varying grain figure–fiddleback, quilted, or highly flamed–make it one of the more beautiful tonewoods.

In short, the distinctive blend of Big Leaf maple and Sitka spruce gives a bright, crystaline timbre with strong projection and warm overtones. It’s a combination that truly “cuts through.”

The Taylor Expression System gives you a natural acoustic sound.

Pure Reproduction of An Acoustic Sound
In the past, Taylor had relied on after-market pickups that employed traditional piezo technology. But the result was a distorted tone that failed to capture the natural acoustic richness and dynamics of a Taylor for live performance. After several years of research, Taylor designed their own groundbreaking pickup system that uses magnetics much like a microphone. The result is an exceptionally pure reproduction of an acoustic guitars natural sound. The Taylor Expression System delivers an amplified tone that will satisfy the most demanding pro player, yet makes it simple for anyone to plug in and sound great.

The Expression System incorporates three different magnetic sensors. Two strategically placed Dynamic Body Sensors affixed to the underside of the soundboard capture the complex nuances of the tops vibration, while a Dynamic String Sensor mounted beneath the fretboard extension registers string and neck vibration. The preamp boosts the pickup signal cleanly, without the need for artificial EQ “coloration. The balanced, low-impedance signal the Expression System produces can run direct into a mixer or PA in most situations, and is free of distortion at almost any volume.

Three simple, unintrusive onboard control knobs preserve the aesthetic beauty of your Taylor, yet allow you to easily adjust the volume, bass, and treble to suit your personal preferences and performance environment. When set flat, the tone controls add no color and produce the most natural sound. Or, add bass or treble (or subtract) to adjust for the room or personal tastes. The payoff is in the purity of high-fidelity amplified tone, unprecedented dynamic range, and extraordinary resistance to feedback and distortion. It enables all of the expressive subtleties of your playing to come through, just the way you intended.

Construction
Taylor takes pride in using the finest quality woods for their guitars, like ebony for every fretboard they make. The tone woods were quartersawn and carefully book-matched before being sorted, dried, and prepared by Bob Taylor and his experienced team of luthiers. The inlay and binding work was also done by hand, providing care and “touch” that no machine can give. Taylor believes that precision matters, which is why they rely on laser cutters and computer-aided milling machines to consistently hit minute tolerances that were impossible a decade ago.

Balance and Bracing
A balanced tone is critical to a quality recorded sound. Guitars that are too heavily weighted towards a particular end of the tonal spectrum (too “bassy,” for example) tend to be tougher to record. While the Dreadnought shape has more volume or bass than other shapes, the overall balance is not compromised.

Features ornate rose inlay on headstock.

Features offset pearl inlays on fretboard.

Straight Necks Matter
Don’t all guitars have straight necks? The answer is usually yes, but the real question is will they stay that way? Since its inception, the acoustic guitar had a major design flaw. The fretboard lacked sufficient support to remain truly straight because of top movement caused by changes in humidity. All guitars experience this phenomenon–often resulting in a slight bump at the 14th fret–but not all guitars respond to it in the same way.

Introduced in 1999 and a standard feature since 2001, the patented New Technology (NT) neck was designed by Bob Taylor and his team to accomplish the primary goal of building a straighter, more stable guitar neck. While some necks may bend in the face of humidity and other factors, the NT Neck stays stable and straight.

Adjustability is another major NT advantage. Since the NT Neck angle is created by spacers and requires no glue, adjustment simply requires a repair person with a new set of spacers and about five spare minutes. Altering the neck angle of a traditional neck assembly could require invasive surgery to remove wood and relocate the bridge.

The bottom line: The NT Neck means a stable, easy-to-adjust neck that stands up to the pressures all acoustic guitars face.

Tuners
Precise, gleaming tuners add appealing form to an important function, while the type of strings used can alter the feel and the tone of your guitar. Taylor pays careful attention to both, using tuners and strings that are optimized for the guitar. Together, they are among the keys to an easy-playing, incredible-sounding Taylor.

Available at Amazon

Taylor Guitars DDSM-LFT Doyle Dykes Signature Model Grand Auditorium Acoustic Electric Guitar, Left Handed

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RMS – Acoustic/Electric Machine Head

Brand:RMS    List Price :$18.61    Sale Price :$18.61    Availibility :Usually ships in 1-2 business days

RMS – Acoustic/Electric Machine Head Overviews

Mini covered machines. Metal buttons. Set of 6.

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RMS – Acoustic/Electric Machine Head

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