Horace Pierpont

Archive for September, 2010

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A popular Italian comedy, “Troupes of the commedia dell’arte was very popular throughout Europe in the early 1600s. They would work on makeshift stages and without scripts. These companies, which included women actor’s spread a new wave between the actor’s and audiences. Actor’s improvised their own words and comic actions using a basic plot and character types, which created theatrical creativity and would capture the interest of the audience as a whole group. This was so unlike the opera or literary theater, where the emphasis from the audience concentrated on a playwright’s speeches or individual. Scenic displays and literary concepts were not common, thus inspiring the art of acting.

Theatergoers in England by the beginning of the 17th century learned how to distinguish Hamlet by actor-manager, Thomas Betterton. This was accomplished by other productions of Shakespeare’s plays. Using different staging of familiar and classical plays sharpened spectator’s senses. Good acoustics were designed into theater halls to help performers to be heard differently and to have more subtle and natural reflections. Visual details of a performance were easily perceived and critiqued with the introduction of indoor stage lighting. Individual actor’s faces and hands were then displayed by the indoor stage lighting.

Charles Macklin and his student David Garrick became one of the first modern actors on the British stage in the 18th century. Commedia-like farces and pantomime was Charles Macklin’s background and why he was hired, based his character Shylock (a Jewish businessman in Shakespeare’s “The Merchant of Venice”) on Jews in London. Lifelike details of movement and speech were added to written text. These details might not have been noticed 50 years earlier if not for the stage lighting, acoustic changes and other technologies.

Under better lighting conditions and more plausibility, David Garrick continued natural acting. Mimicry was brought to the stage through Garrick’s practices of imitating facial expressions of actual people. In his performance of Shakespeare’s King Lear, Garrick used a crazed neighbor to reenact the accidental killing of his infant daughter. Garrick never dropped his character during a performance and he would listen and react in character to all the dialogue around him. Because of this, he was very popular with theatergoers.

Denis Diderot, an 18th century French encyclopedist, became fascinated with Garrick who was on tour in Paris. The actor feeling less emotion is what Diderot believed could achieve a more consistent and stronger performance.

Diderot’s essay “Le paradoxe sur le comedien” (1773; translated as “The Paradox of the Actor, “1883), compared to famous rivals who performed at the Comedie Francaise, Marie-Francoise Dumesnil and Hippolyte Clairon.

Dumesnil believed it was an actor’s responsibility to become the character and represented the so-called emotional school. She was very uneven as an actor and normally coasted through a performance until a tragic point was reached. She had emotional depth and tremendous power. She made claims she new the secrets of great acting. To find out who she was as a character, where she was and what she had done, Dumesnil would use prayer. Alcohol stimulation was unfortunately a big part of her inspiration.

Clarion claimed she created her characters through movement and speech and not from becoming them or playing them. By rehearsing endlessly and perfecting the “look of emotions, she was able to develop a natural and reliable character. She believed audiences applauded the actor, not the characters.

By these two actors’ comparison’s, Diderot uncovered polarities of inspiration and technique.

Problems of inspiration and expressiveness were not solved for other actors, however. For example, any schools or treatises that were left behind seemed to be more philosophical than technical. Actually with Garrick’s natural school of acting disappeared after his death. It was more of a fad with British audiences that was associated with the actor. Basically, Garrick and the rest couldn’t teach their techniques.

In the 19th century emotional and anti-emotional acting styles of the great actors ran in cycles. Actor’s of one generation championed the first technique and then was replaced by a younger actor who championed a different technique, which happened in every country. The romantic and emotive Edmund Kean followed Sarah Siddons, who followed Garrick and so on.

The limelight gave way to the rise of gas lighting and then on to electricity. More and more physical detail appeared on stage and costumes and scenic displays grew in complexity and size, which dwarfed the actor.

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One of the worst mistakes you can make is to ignore signs of potential car problems. For example, a “check engine” light means something may be wrong with your engine. Small automotive problems typically worsen with time. If you neglect to address them, you might be saddled with a large repair bill down the road. The same is true for a misfire, white smoke billowing from your tailpipe, and a grinding noise coming from your brakes. These issues will not resolve themselves on their own.

Below, we’ll take a look at several “minor” car problems that millions of drivers ignore each day. I’ll describe them and explain the issues that can develop as a result.

Cracked And Leaking Fuel Hose

Do you smell fuel in the cabin of your vehicle? If so, there’s a good chance your car’s fuel hose is leaking. On most automobiles, this hose is designed with reinforced rubber to make it stronger and less likely to crack. With time, however, the rubber begins to break down. It begins to develop small fissures. If the cracks grow, gasoline vapors will leak and penetrate the cabin. You’ll also see drops of fuel collecting under the line when your car is at rest.

This is dangerous because leaking gas is a fire hazard. One spark is sufficient to light it aflame. What’s more, prolonged exposure to fuel vapors within the cabin is unhealthy – for you and your passengers.

If you’re reasonably experienced working on your vehicle, you can replace the hose at home. Otherwise, plan to pay a mechanic up to $100 to handle the job for you.

Insufficient Oil Level

Experts claim people cannot go without drinking water for more than a couple of days. After three days, death becomes imminent. Your vehicle’s engine is similar in its need for oil. However, rather than three days, it will seize if forced to go three or four miles without oil. Temperature builds and the moving parts begin grinding against one another. A seized engine usually sustains enough damage that the assembly needs to be overhauled or replaced, a job that can cost over $1,000.

Most automobiles today are equipped with an oil level indicator on the dashboard. If the fluid level declines to a certain point, the light illuminates. Given the potential cost of repairs if an engine is starved of oil, it is stunning that so many people ignore the light.

Check your oil level every two or three weeks and replenish it when needed. If you notice the light on your dash, check the oil immediately.

Aging Timing Belt

Your vehicle’s timing belt turns the camshaft, which controls the opening and closing of each cylinder’s intake and exhaust valves. As long as the belt remains in place, the valves will open and close seamlessly during the 4-stroke combustion process. The problem is, timing belts wear with time. If they are not replaced, they can break or slip off their normal rotation. When this occurs, the valves can become damaged as the pistons within the combustion chambers slam into them. This leads to expensive repairs.

Unfortunately, there is no dash indicator light that alerts you to a deteriorating or slipping timing belt. You’ll need to track the number of miles driven on it. As a rule of thumb, plan to replace the belt every 70,000 miles.

There are many other small automotive problems that drivers routinely ignore, hoping they’ll go away on their own. Instead, the problems typically grow and cause expensive damage. For example, a leaking water pump can eventually cause a blown head gasket. A lack of transmission fluid will damage your transmission. Grinding between your brake pads and rotors may damage the rotors to the point they’ll need to be machined or replaced. These – and other – problems are expensive to resolve. Avoid them by addressing issues as soon as you notice them.

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Exercise is one of the most effective ways for you to stay fit and healthy. But even exercise can be bad, if you do it harder and not smarter. Exercising intelligently and maximizing the safety and effectiveness of the exercise program is the best way to reach your exercise objectives. And this can be very well done, if you use strapless heart rate monitors.

Strapless heart rate monitors are intermittent heart rate monitoring devices that require the user to place two fingers to obtain a heart rate. This type of monitor can measure heart rate in two ways. The first picks up the electrical signal that the heart produces with each beat and determine the heart rate, and the second is to indicate the heart rate by measuring the pulse.

The strapless heart rate monitors work much like an electrocardiogram (better known as ECG) and are good for determining the heart rate at a specific point in time. If you exercise at a steady intensity level, these are the best to use. It is because you will not have to continuously check your heart rate to ensure that you are still within the safe heart rate limits.

Although many people still prefer having digital and heart rate monitor watches, strapless heart rate monitors are now gaining popularity because of the many benefits they offer. Not only that – with a strapless heart rate monitor, you will not lose potential useful training information such as average heart rate during a physical activity, compared to using a heart rate monitor that continuously monitors your heart rate.

If you are thinking of a strapless heart rate monitor, the first place to begin your search is online. A wide variety of heart rate monitors are now offered online for your easy access and convenience.

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Sure, it’s easy to find ebooks with private label rights, but that can be bad since so many others also buy the rights — there are sometimes a glut of the same product on the market. There are two great things about private label software — it’s not as common as just an ebook, and it’s fairly easy to add new features so you have a unique product.

But there’s a big problem with PLR software that can sometimes sink an entire project. If you’re not a programmer yourself you’re going to have to hire someone to make the changes — and that’s when problems can pop up. You may have the best programmer in the world, but if the PLR software isn’t able to be easily modified, you’re stuck.

Here are three things to investigate before you buy ANY piece of private label rights software.

1. What modification rights do you have? In some cases all you have is the right to brand your own name and URL into the software, in which case you won’t be able to add unique features to make your software stand out from the others. Look for private label rights software that gives you full modification rights.

2. What computer language is used? If the original program was written in SmallTalk, or Clarion, or some other uncommon language, you may have problems finding someone who can do the modifications. And if you do find someone, you’ll probably end up paying a premium price for their expertise.

3. Are all source files, including graphics, available? Private label rights software should come with the program source code, obviously, but sometimes the graphics that make up the buttons, the skin of the program, etc., aren’t included. That may not be a deal-breaker if those pieces aren’t included, but you need to know whether hiring a graphics designer is going to be part of your expense.

And finally, a bonus question you might want to ask:

4. Is original programmer available? If you can use the guy who wrote the original program for your changes, you’ll typically end up with a much better job at a cheaper price. Because the original coder knows his/her way around the code and can make changes much faster.

Using private label rights software can be a great way to differentiate yourself from the rest of the market; just make sure you find out the answers to those questions before you make a financial commitment you may regret.

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