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Bonnie Raitt – Luck Of The Draw (Personality) Hal Leonard: The matching folio to Bonnie Raitt’s best-selling album, featuring the hit single ‘Something to Talk About.’
Bonnie Raitt – Luck Of The Draw (Personality)

• Bonnie Raitt – Nick Of Time (Personality)
• Luck of the Draw

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It seems almost inconceivable that one of the most authentic players preserving the true sound of the Delta acoustic blues guitar would come from a man hailing from Compton, California, a place that has a reputation musically for being more of a bubbling cauldron of hip-hop and hardcore West Coast rap than anything else. But that’s precisely where Kevin Moore, better known as Keb Mo’, started out his blues guitar career.

Moore was born October 3, 1951 was born in Compton to parents of deep Southern heritage. As a young man, Moore’s parents kept him steeped in their own musical taste, spinning plenty of their own gospel, R&B and blues records that they kept at their home. He has also acknowledged that local radio and the music he heard at the local Baptist church served as tutors for his musical interests as well.

At the age of ten, Moore joined his school band, trying the trumpet first. In an interview with the LA Times, Moore said “I remember the first time playing with the band, playing whole notes – it just felt so good”. From the trumpet, Moore went onto play steel drums and other percussion instruments as well as the french horn before deciding to learn blues guitar.

According to Moore, he began to learn guitar with his uncle’s invitation. “When I picked up the guitar for the first time, I knew that was it”. Within two weeks, Moore had 5 chords down and was already experimenting with finger picking as well. After high school, Moore joined several local cover bands, playing small local venues and was met with a lackluster acceptance, at least until one of his band mates suggested that his music lacked ‘something’ and introduced him to a wider musical experience in Caribbean and African sounds. Moore took the instruction to heart and began to experiment with wider range of rhythms.

In the early 70′s, Moore began to catch work as a backup musician and sideman in and around Los Angeles while still gigging occasionally with a few local Top 40 bands. He landed his first major professional gig with former Hot Tuna and Jefferson Airplane violinist Papa John Creach. Creach hired Moore when Moore was barely 21 years old. Once while the band was rehearsing in a space they had rented in LA, Creach and his producer walked by. “He wandered in, liked what he heard, and hired us on the spot – true story!” He stayed with Creach through 4 albums and a steady touring schedule.

In an interview, Moore credited his time with Creach as having opened up his eyes and ears to a wide range of influences. Until he had joined up with the veteran violinist, Moore had been primarily playing for nightclub audiences in South Central Los Angeles. “This was really different for me, and it influenced my playing, helped me to experiment with different kinds of sounds and styles.” This exposure also had a positive effect on his song-writing and blues guitar playing skills as well, serving as a guitar lesson of a certain kind.

After leaving Creach’s employ he began to work as a contractor and arranger for Alamo-Irving music and began to secure fairly steady work in LA; all the while trying to promote himself as a solo artist, and blues guitar player. He released his first solo album Rainmaker in 1980 on the Casablanca label which quickly folded shortly after its release. The album scored little interest but his reputation amongst blues guitar players and other musicians was growing. He was self taught with no formal guitar lessons, which is inspiring for others trying to learn guitar.

After meeting and working with Bobby ‘Blue’ Bland producer Monk Higgins and a long run in the Whodunit Band (the house band at Marla’s Memory Lane), Moore turned his talents back towards the blues. Moore cites his work with Higgins as a seminal moment in his transformation into a real bluesman. Occasional gigs with blues guitar player Albert Collins and Big Joe Turner completed the process and Kevin Moore settled in on the sweet sounds of blues guitar as his preferred musical genre. Moore has often said that his time with Higgins was the most vital in his education as a blues player.

Yet fame eluded him throughout the 80′s until he caught what he considers his biggest break. In 1990 The Los Angles Theatre Company called on Moore – they were looking for an African American male to learn blues guitar in the Delta blues style, to do a play entitled Rabbit Foot. According to Moore, there was only one guy in LA that could do deliver the goods, Chuck Streetman, and he was unavailable due to scheduling. Moore was offered the chance to learn guitar music parts, and audition. To prepare for the role, Moore dug out his old Delta records, from blues guitar players and others like Robert Johnson, Charley Patton and Big Bill Broonzy. “Big Bill just blew my mind, a really good songwriter with an amazing voice, amazing guitar technique…”

His performance in Rabbit Foot impressed the theatre promoters that when another part came up for a blues player in a play called Spunk Moore was considered. But this time Chuck Streetman was available and was given the part. But Moore was signed on as Streetman’s understudy. His work in the theatre is what turned Moore into a modern day purveyor of the Delta blues tradition.

“Circumstances led me to play the blues. I was gonna be in a play and they wanted me to play the Delta blues. And it was work, an opportunity to work, so I started playing Delta blues and fell in love with the stuff. After the project was over, I just kept doing it – playing Delta blues – playin’ it sometimes in a club gig if I was playing some other kind of music and there was an opportunity to pull out my guitar and try it. People would respond really favorably to it”.

So when did Kevin Moore become Keb Mo’? Often times Moore would go to see jazz drummer Quentin Denard during some local gigs and on occasion would take his guitar and sit in with the band. Denard would peer over his riser and see Moore and shout “Keb’ Mo’!” when Moore would play blues. From that point on, Moore simply started calling himself Keb’ Mo’ and the name stuck.

It was a chance meeting with Taj Mahal and his agent John Porter that truly launched his solo blues guitar career. Moore gave Porter one of his demo tapes and the pair hit it off. Porter knew that he had found something truly unique and he kept after Moore to provide more material. In June 1994 when Epic Records decided to revive the famed O’Keh label, Porter swung a deal for Moore and the result was Moore’s self-titled debut album. The critics loved his unique blues guitar sound, and Moore was soon opening for large national acts like legendary blues guitar players Buddy Guy, Joe Cocker and Jeff Beck, the album ended up earning Moore a Grammy and launched him into the blues spotlight.

In 1995 Mo’ played the Newport Folk Festival and stunned audiences with his stinging slide guitar style and his soulful vocals. He had arrived. Shortly after his Newport appearance he was off on his first European tour, practically giving audiences a guitar lesson in the blues.

Industry heavy-weights like Jackson Browne and Bonnie Raitt took notice. A friend gave Bonnie a copy of the tape while she was riding in his car. After they listened to the tape, Bonnie turned on the cars radio and Mo’ was being interviewed at that very moment. Moore recalled later “She called me at the station from her car phone. She came to a gig, hung out, and then I opened for her on a few dates. She said ‘I’d like to do something with you – and I am not jerking your chain.’ And When Bonnie says she’s going to do something, she always shows up.”

Another friend introduced Moore to Jackson Browne when they were both playing at a festival in Seattle. In the end, both Raitt and Jackson ended up providing backup vocals to the title track of Moore’s second album, Just Like You.

The album went on to earn Moore the Grammy for Best Contemporary Blues album in 1996. As Moore included a few Robert Johnson tracks on his releases, he began to be associated with Johnson. This association led Moore to play Johnson in the 1997 documentary Can’t You Hear The Wind Howl?

Keb’ Mo still garners accolades, Grammy’s and a multitude of other awards with his albums (that showcase his ability to spin a down home feel to his own work and the reworking of blues, folk, jazz and rock classics), his occasional acting roles and his heart-felt song writing.

Moore continues on, walking the blues highway, introducing some new fans to the Delta blues, reaffirming the soul of the country blues to the diehard and proving that the blues are not about location or background nor is just about the music. The blues is about the weight of the passion that lies in your soul.

Like has been said many, many times, it’s impossible to know where you’re going unless you know where you’ve been.

Keb’ Mo’ knows.

For a blues guitar lesson, including professional blues guitar tabs, visit GuitarTricks.com.

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A well built and well toned body is the dream of every person and he tries to achieve it in many ways. There are many mass gain and protein products in the market which are in great demand and are consumed by many people for immediate and good results. It is true that some of these products are very beneficial and work on the body instantly. However, a person needs to follow a proper bodybuilding program along with the supplement intake so that the results are consistent and he does not have to face any problems later. A well chalked body building program is very necessary and hence, it is important that you consult a proper fitness expert to help you out. Trying anything on your own can be harmful especially when you try to stress yourself too much. It can also cause severe injuries which can be really painful. A proper bodybuilding technique always takes care about important factors like volume of weight and proper exercise.

There are certain things that can help you with your body building programs. Fearless 45 is very helpful for people who want to build their body. It is a 20 minute fitness system that provides a well toned and firm body. Fearless 45 is a good option and is very beneficial. You can also read the consumer reviews about it. You just have to access the internet and you will get all the necessary information about it. Things such as aerobic exercises, nutritional intake and expenditure and compound movements are some of the things which are really beneficial in case of body building and muscle gaining. Aerobic exercises make your body more efficient and increase the energy level. It is said that rigorous and intense aerobic exercises can increase the amount of protein molecules that transport glucose to the muscle cells and increase the amount of glucose absorbed by the muscle cells. It also increases the insulin sensitivity and reduces the amount of carbohydrates so that the body reaches optimal energy level.

The right kind of diet is also very important in case of mass building. You need to have a balanced and nutritious diet to maintain your energy level and work out regularly according to the schedule provided. However, it is not good to stress your body too much as it can cause pain and internal injuries. Moderate exercise is always good for health. One more thing that has to be kept in mind is the amount of carbohydrate intake by the body. A person should consume the right proportion of carbohydrates before exercising as it retains your energy level during and after your workout schedule. The carbohydrates consumed by you during the workout are burned and used up as energy and the ones consumed after the workout makes your physique look larger and also makes it more firm. Thus, this was some interesting information about body building and some of the important techniques that need to be followed.

Fearless 45 Review: Do NOT Buy Fearless 45, Fearless Body Until You Have Read This Shocking Review!

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Streetlights Worth it for Angel from Montgomery – M. Huggins – North Carolina
A classic Bonnie Raitt album. Especially good is Angel from Montgomery. Bonnie’s fans know she closes her shows with this song and this is the first time she sang it on an album. Also excellent is That Song about the Midway- written by Joni Mitchell about Leonard Cohen! The title song is a good one,too.
: Following her first three albums, all of which were wildly eclectic affairs, Bonnie Raitt was poised for a mainstream move, and 1974′s Streetlights is it. There’s no blues edge here whatsoever, and Raitt’s guitar playing is subdued–both detractions–but the album also introduces “Angel from Montgomery,” the definitive version of John Prine’s piercing ballad. Raitt dips further into contemporary singer-songwriter fare with Joni Mitchell’s “That Song About the Midway” and James Taylor’s “Rainy Day Man,” but the album peaks with Allen Toussaint’s thoughtful (and funky) “What Is Success.” –Daniel Durchholz
Streetlights

• Give It Up
• Takin My Time
• Bonnie Raitt
• Sweet Forgiveness
• Home Plate

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One of the most played and most loved musical instruments is the guitar. Almost anywhere in the world, you can find some masters playing in the middle of the streets. What many don’t realize is that there are actually quite a number of techniques in mastering the guitar. An example of a technique is the slide and bottleneck guitar where the sliding motion is emphasized against the strings with the use of the necks of glass bottles.

Once you enroll in a slide guitar lesson, you will get to know different techniques on how to master and conquer slide guitar playing. One of the first things that will be taught are easy songs you can play as a beginner. Some of the suggested easy songs that you can get started are from artists like Robert Johnson, Hound Dog Taylor and the Houserockers, Son House, Duane Allman, Roy Rogers and Bonnie Raitt. One thing you can do to improve your playing is to copy slide guitar pieces that you like and keep on listening to it until you know every note by heart.

Another type of lesson you can take is a jazz guitar lesson. You often see only a few acoustic guitarist compared to jazz guitarists since it is harder to learn. Enrolling in jazz guitar can help you with jazz styles, technique, how to improvise, jazz standards and music theory. When you are in a jazz guitar lesson, it is recommended that you master one of the easiest songs to learn. This song, which is often played during any jazz jam session, is the song All the Things You Are. Another easy jazz song to learn is the Autumn Leaves in 5/4. It is one of the standards that are being played in almost every jazz guitar lesson.

Whether you are on a slide guitar lesson or jazz guitar lesson, some of the tips to help you learn faster are to learn the lyrics, eliminate guitar feedback, use software like Band in a box, record yourself and use a metronome. But of course the most effective way to learn is still constant practice!

Would you really like to know the best guitar lessons that will help you achieve your goals? Visit the http://guitarlessonsunleached.com/ website to check out how easy playing the guitar can be.

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In his Ash Grove recording, guitarist Dave Alvin laments the loss of a favorite Los Angeles club, a venue that should be on the National Register of Historic Places. It would have to be in an urn, however, the club burned not once, but three times.

Ed Pearl (an uncle of Spirit’s Randy California) founded the 250-seat Ash Grove in 1958. “I started with the perfect show,” says Pearl. “Brownie McGhee, Guy Carawan… McGhee was the Southern folk-bluesman who, at the time, hadn’t quite yet formed his famous alliance with harmonica partner Sonny Terry; Carawan is best known for adapting We Shall Overcome with Pete Seeger.”

Going forward, stage acts would include Bob Dylan, Joan Baez, Johnny Cash, June Carter, Arlo Guthrie, Kris Kristofferson, Bonnie Raitt, Jerry Garcia, Howlin’ Wolf, Willie Dixon, Son House, Mose Allison, Hoyt Axton, Eric Burdon, the Byrds, Canned Heat, Commander Cody, Albert Collins, Larry Coryell, James Cotton, Jose Feliciano, Firesign Theater, Robben Ford, Buddy Guy, John Lee Hooker, Ahmad Jamal, Dr. John, Albert King, Charles Mingus, Pharoah Sanders, Spirit, Muddy Waters, Lightnin’ Hopkins, Mississippi John Hurt, “Big Mama” Thornton, the Chambers Brothers, Flying Burrito Brothers, Ry Cooder and Taj Mahal. Many other acts also appeared at the Ash Grove over the years.

Everybody hung out at the Ash Grove. It was there that Jim (Roger) McGuinn met David Crosby before forming the Byrds, and a chance encounter of Linda Ronstadt’s led to the formation of the Stone Ponys.

“I always had two or three cheap recorders going…,” [Pearl] explains. “I’d just turn them on because I wanted to listen… Ry, Taj, and the rest of us liked to listen to the old guys.” Some 3,000 hours of recorded live performances at the Ash Grove have survived. Many of these recordings may be streamed live or purchased from Wolfgang’s Vault.

Currently in production, Ash Grove Burning is a documentary by Sundance award-winning filmmaker Aiyana Elliott. Hers is perhaps not a recognized name in music circles until one learns she is the daughter of Grammy-Award winner, Ramblin’ Jack Elliott, a regular Ash Grove performer. Being very patient while it loads, you may view the movie trailer online at Ash Grove Film.

Chris Morton (floydslips > gmail.com) lives in Northern California and is an FCC-licensed, classic rock wannabe-DJ and quasi-sociohistorian. At http://floydslips.blogspot.com, therein Chris rambles ad nauseum about many genres of music, the musicians, strange connections, the venues, and the gear with which to legally and aurally transcend wherever you happen to be.

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Bonnie Raitt – Road Tested You’ll LOVE this … – Fred Showker – The Design Bookshelf
I love this DVD. I bought it for a party I was giving and it was a smash success — like actually being there! If you love Bonnie, then you have to get this.
Capitol Entertainment: ROAD TESTED – DVD Movie
Bonnie Raitt – Road Tested

• Bonnie Raitt and Friends (with Bonus DVD)
• Bonnie Raitt – Live at Montreux 1977
• Little Feat: Skin It Back
• Road Tested
• Simon and Garfunkel – The Concert in Central Park

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The boy was born Lester William Polsfuss June 9th 1915 just outside Milwaukee, in Waukesha, Wisconsin, America. Later he became the man known as Les Paul. This became his stage name after his hillbilly nicknames like ‘Rhubarb Red’ and ‘Red Hot Red”. Initially he played the banjo. He later mastered the guitar and invented a neck worn device to hold his harmonica in front of his mouth to enable him to play it, with his hands free to play the guitar at the same time. This device was later popularized by Bob Dylan and Neil Young and is still produced today.

Les Paul was more than a musician, he was a songwriter, inventor and a pioneer. He invented the worlds’ most popular and successful solid body Sunburst electric guitar, the Gibson Les Paul. He invented many recording mechanics and methods; ‘overdubbing’, multi-track recording, phasing effects and tape delay. It was these technical inventions that made the birth of Rock ‘n’ Roll possible.

At thirteen, he was a semi professional musician playing guitar and harmonica in a country based group. Soon after he would join the Rube Tronson’s Texas Cowboys and then Wolverton’s Radio Band based in St. Louis, Missouri, on KMOX. In 1934 Les Paul moved to Chicago and performed mainly sessions on the radio. In 1936 he released his first two studio based records. On one he was credited as an blues accompanist for performer Georgia White and the other recording bore his earlier nickname, ‘Rhubarb Red’. Soon after, he adopted his famous name and infamous jazz playing guitar style. By 1937 Les Paul formed a trio with percussionist and bass player, Ernie Darius Newton and Chet Atkins older half brother, guitarist and singer Jim Atkins. In 1939 the trio arrived in New York and began a residency gig on Fred Waring’s radio show in Pennsylvania.

During the 1940′s Les Paul continued his development and experimentation with the electric guitar. One such experiment resulted in near electrocution, the effects of it took over two years for him to recover from. He re-located to Hollywood with a new trio of musicians and continued to produce music for the radio. Disillusioned with acoustic electric guitars, paul began experimenting to produce a new way of making the sound of the guitar electric and amplified. He started with a basic lump of 4 x 4 20lb lumber wood, attached a bridge, a Gibson neck, a Larson fingerboard and two pickups. He called his guitar invention the ‘Log’. The Log was one of the very first solid body electric guitars ever to be made. To make the visual appearance off the Log more guitar like, he added the body sides of a semi-acoustic Epiphone and in place of its middle, he fixed the Log down the central column.

This was a ground breaking solution to the main problems Les Paul had been facing; Sustain – the power of the strings was energized through the body of the guitar and Feedback – was now controlled by the semi-acoustic body of the electric guitar. Paul ceaselessly continued to adjust and improve the technical specifications of his Log electric guitar and used the instrument to record with even after the production of his Gibson Les Paul Sunburst.

Throughout the 1940′s Les Paul performed and recorded with many well known artists like; Nat King Cole, Louis Armstrong and The Andrews Sisters. As well as performing with him, Bing Crosby also financed many of his recording experiments. At the beginning of 1948 Paul had a near fatal car accident that shattered his right arm and elbow. Surgeons insisted that his arm would have to be re-built in a set position, which took a year and a half to complete. The guitarist demanded that his arm should be set at a ninety degree angle. An angle that would still allow him to continue to play the guitar.

Les Paul continued to experiment in the recording studio with a track called Lover (When You’re Near Me) in 1948 for Capitol Records. This track marked an amazing break through with his multi-track recording techniques. Les Paul recorded eight separate guitar parts, some at double speed and some at half speed, overlaying each track onto acetate disks. When all eight were played back, the sound was as if eight different guitarists were playing together at the same time. This was the first time that this had ever been done. This invention lead him to work on the worlds’ first eight track recording deck with Ross Snyder. This reel to reel tape recorder with special effects like over dubbing and echo was manufactured by Ampex. He made variations of these machines with two track and four track recorder versions called the Sel-Sync (or the Selective Synchronization).

Les Paul married Virginia Webb in 1938, they divorced in 1949 the same year that he married Iris Colleen Summers who was a country and western singer with the Gene Autry. Later she changed her name to Mary Ford. The couple would later divorce in 1962 due to their heavy work load and touring pressures. Throughout the 1950′s Les Paul and Mary Ford recorded together and went on to sell millions of records. Their notable hits were; Bye Bye Blues, How High The Moon and The World Is Waiting For The Sunrise. The multi-track recording technique that Les Paul had perfected, enabled Mary Ford to record numerous harmonizing vocal arrangements, for them to be synchronized and played back at the same time as one seamless track.

In the 1930′s Adolph Rickenbacker produced a solid body guitar which would later be developed into a semi acoustic hollow body guitar. A short time after, Les Paul approached the Gibson Corporation with his idea for a solid body electric guitar. Gibson refused production of his idea as they thought it would be too expensive to mass produce. In 1946 Leo Fender created his own version of a solid body guitar, the Telecaster Tobacco Sunburst electric guitar.

In the early 1950′s Gibson produced their first electric guitar that incorporated the inventions and ideas of Les Paul and presented it to him for him to try out. He loved the Gibson guitar so much that he agreed to endorse the guitar with his name. The first Gibson Les Paul electric guitar was originally only available in a Gold Top finish. The Sunburst electric guitar Cherry and Tobacco finishes were to come later in 1952 when the Gibson Les Paul Custom model was introduced.

The agreement and contract that he had with Gibson Corporation meant that the guitarist would only be photographed and perform with a Gibson Les Paul electric guitar. The Patent and Trademark office in the U.S. gave Les Paul Patent number 3,018,680 for an Electrical Musical Instrument in 1962 for his Gibson endorsed guitar.

Les Paul always performed with his personalized Les Paul electric guitar. It was a Gibson ‘Recording’ model, the body was a solid single piece of mahogany that he had customized and modified over the years and added a Bigsby vibrato to. He also invented a black box that was fixed to his on stage guitar that he called his ‘Les Paulverizer’. This box enabled the guitarist to create many sound effects on stage, it enabled him to play a guitar lick and play it back over and over, creating a loop effect. Another effect was a tape delay that created the illusion of sound as if various other guitarists were playing at the same time, when in fact there was only one playing.

In 1967 Les Paul recorded an album with Chet Atkins, Chester and Lester, called ‘Les Paul Now’ recorded for London Records. Les Paul was actively performing and playing live throughout the 1980′s right up until his death in 2009. He played every Monday night at the Iridium Jazz Club, on Broadway in Times Square, New York City. He played with his trio, guitarist Lou Pallo, pianist John Colianni and bassist Nicki Parrott. An amazing achievement for a man who suffered from permanent hearing loss, arthritis and had heart bypass surgery after having had a heart attack.

Les Paul’s contribution to the music industry was regularly recognized by countless award bodies and prestigious institutions. Guitarist Jeff Beck inducted Les Paul into the Rock and Roll Hall of Fame in 1988. The Mix Foundation in 1991 created an award called to honor “individuals or institutions that had set the highest standards of excellence in the creative application of audio technology” called the Les Paul Award. The National Inventors Hall of Fame in 2005 inducted him for his contribution to solid body Sunburst electric guitar developments. The following year in 2006 he was named an honorary member by the Audio Engineering Society and inducted into the National Association of Broadcasters Hall of Fame.

In 2005 part of his 90th birthday celebrations included a tribute concert at Carnegie Hall in New York City where Les Paul was given a commemorative guitar from Gibson Guitar Corporation. Steve Miller, Jose Feliciano and Peter Frampton and other contemporary vocalists and guitarists performed at the celebrations. The Rock guitarist Steve Miller was taught how to play guitar by Les Paul. He is Godfather to Miller after his father was best man at his wedding to Mary Ford in 1949.

Still at the age of 90 in 2006 he received two Grammy Awards for his Les Paul & Friends: American Made World Played album. He had already received a lifetime achievement award, called the Grammy Trustees Award in 1983. Les Paul made a biographical documentary film called Chasing Sound which was released on DVD in HD in 2007. It documents the life of the guitar superstar legend and tells his rags to riches story. From Waukesha his home town, to Chicago, then Nashville, on to Hollywood and then his induction into the National Inventors Hall of Fame.

Les Paul talks about his many great lifetime achievements. His music and his greatest hits provide a sound track to his life story. It also features interviews with Jeff Beck, B. B. King, Tony Bennett, Merle Haggard, Bonnie Raitt and Steve Miller. November 2008 a tribute concert was held in Paul’s honor at the State Theater in Cleveland Ohio, where Les Paul received the American Music Masters award from the Rock and Roll Hall of Fame. This fantastic achievement was celebrated with performances by the young and old guitarists that Paul had influenced including; Duane Eddy, Lonnie Mack, Eric Carmen, Jennifer Batten, Dennis Coffey, James Burton, Jeff “Skunk” Baxter, Billy Gibbons, Lenny Kaye, Barbara Lynn, Steve Lukather, Katy Moffatt, Richie Sambora, Alannah Myles, The Ventures, and Slash.

In 2009 August 13, at the age of 94, the legend passed away due to pneumonia and added complications, he had been ill for sometime. Known as the ‘Wizard of Waukesha’, he was buried at Prairie Home Cemetery in his home town of Waukesha, in an open area that visitors can visit and pay tribute to. Many guitarists and performers have paid tribute to the artist that continues to make a lasting impression on their lives; Randy Bachman, Trey Anastasio, The Hard Lessons, Ace Frehley, John 5, Tad Kubler, B.B. King, Joe Satriani, Brian May, Tom Morello, Brian “Head” Welch, Joe Perry and Keith Richards. Slash from Guns N’ Roses said Les Paul “vibrant and full of positive energy”. The Edge, guitarist with U2 said, “his legacy as a musician and inventor will live on and his influence on Rock & Roll will never be forgotten”.

The genius will be remembered for his contribution to music and the art of recording. He also pioneered various ground breaking guitar playing techniques and styles like; chord sequences, fretting, timing, trills and licks. All of which continue to influence contemporary future guitarists. The Les Paul Gibson Sunburst electric guitar carries the name of a genius that is more than a brand name, it is the symbol of one mans life quest for perfection in a Sunburst electric guitar.

The legend and guitar icon will live on and continue to inspire and influence new and established musicians for many years to come. The life goal of Les Paul was simply, ‘to make people happy’. It’s fare to say, whatever music style you are into, Les Paul achieved his goal.

Karen Strutt is a Sunburst Electric Guitar fanatic! My passions include large collections of Sunburst Electric Guitars. A graduate of Central Saint Martins College of Art and Design London. Get in touch for help and advice about all aspects of Sunburst Electric Guitars.

Sunburst Electric Guitar

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Chords and chord progressions are what define the blues, but in theory there is no such thing as the blues chord, but what is a chord? A chord is a group of single notes played together, the sounds produced by these notes create feelings, these feelings may be bluesy, jazzy, country, folk, rock etc. Chords are a critical part of blues music and play an essential role in the development and style of the blues.

When you put chords together in a specific way, you can easily have a blues progression, and one of the more widely used and certainly one of the easiest is the 12 bar blues progression. The 12 bar progression is a 12 measure sequence meaning there are 12 chords played, and although in most cases some of the chords are played more than once, there is typically 8 changes including what is known as a turnaround or resolve which will bring you right back to the beginning of the sequence.

Another more commonly used method for getting a distinct blues sound is using a slide, a slide is also known as a bottleneck, (early blues players used to use an actual bottleneck from a bottle) it is usually made of glass or steel but can be found in chrome, brass, or even porcelain, and typically three inches long in length, it is placed over a finger and used to slide from note to note or for an even more dramatic sound, from chord to chord. You cannot help getting a blues sound when using a slide. Some of the famous slide guitar artists are: Duane Allman, Johnny Winter, Bonnie Raitt, Muddy Waters, and Robert Johnson.

Along with blues chords, you also have blues scales, these scales are nothing more than a minor pentatonic scale and adding another note, this small additional note is the sound of the blues, and also known as the “blue note”.

The blues is simple noncomplex and should be played that way. Sometimes a little goes a long way, use expressions like bending, sliding, muting as well as pressure on the string such as subtle or strong to help create emotion and feel. These methods combined create the unique sound of the blues. One of the best examples is BB king, he doesn’t have lightning speed like an Yngwie Malmsteen, nor does he have the attack like a Stevie Ray but what he does have is the feel and emotion that makes BB King what he is today, a legend.

Steve enjoys writing articles on topics he has a passion for. Please check out his latest website at http://disneystamps.org which helps people find the best Disney Stamps and information they are looking for when searching for Disney Stamps.

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