Archive for the ‘Sundquist Gerry’ Category

Blind Date

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Blind Date Blind Date – DAVID TAYLOR –
Great chance to see and appreciate both Kirstie Alley (before she became a whale) and Marina Sirtis (Star Trek) in the buff. Mediocre plot, but who cares?
: Accidentally blinded, John Ratcliff (Joseph Bottoms) has a “seeing eye” computer chip implanted directly into his brain, only to witness a murder and see the serial killer–but only in bold outline. The cat and mouse game begins in this riveting shocker featuring Kirstie Alley, “Star Trek: The Next Generation’s” Marina Sirtis, and “2001: A Space Odyseey’s” Keir Dullea. Now available for the first time in Nico Mastorakis’ director’s cut, “Blind Date” has been newly remastered and features extensive bonus material including never before seen footage of Kirstie Alley’s daring love scene.
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Alexandria…Why?

Alexandria…Why? being gay in egypt – Sergio –
When the society is not that open about it, the story is ok , Im not too trill about the acting
: Set in the Egypt during and after World War II, Youssef Chahine’s autobiographical drama of his youth in Cairo is a bright, bustling mosaic of a country embroiled in conflict and struggling with its identity. Centered on the story of high school student Yehia Mourad (Mohsen Mohiedine), Chahine’s cinematic alter ego, it’s national history through a personal perspective and the first film autobiography ever in Egyptian cinema. As the strains of nationalism set Arabs against British soldiers, political factions against one another, and races and cultures at odds, Yehia escapes through theater and the movies, dreaming of Hollywood as he stages his own plays and theatrical reviews until he’s swept up in student activism. No stranger to challenging conventions and taboos, Chahine features an interfaith romance between a Jewish woman and a Muslim activist and a homosexual relationship between Yehia’s wealthy uncle and a young British soldier among his many stories. In fact, he packs the film so full that the colors threaten to bleed together, but Chahine masterfully keeps the film coherent and clear while driving it forward at a racing pace. The action at times abruptly jumps from one thread to another, as if matching Yehia’s torn loyalties between art and political action, but the tonal shifts only add another layer of richness to the passion Chahine has lavished on this film. It won the Special Jury Prize at Berlin in 1979 (Chahine’s first major festival prize), and was followed by two other autobiographical films, An Egyptian Story and Alexandria Again and Forever, which became known as the Alexandria Trilogy. –Sean Axmaker
Alexandria…Why?

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Great Expectations (BBC, 1981)

Great Expectations (BBC, 1981) Great quality of a classic version that everyone should have. – Laura Orgill –
I have watched many different versions of this book, and this one is the ONLY one that has been able to recreate the story with the detail you want to get from a good adaptation of a classic into cinema. Great!!! (had the vhs needes de DVD)
Warner Brothers: Violence and Victorian gentility meet in this powerful adaptation of one of Dickens’s greatest creations. While passing through the churchyard where his mother is buried, a young Pip encounters a desperate convict, Magwitch. Soon afterward he is summoned by the wealthy, eccentric recluse Miss Havisham to play with her beautiful but cruel ward Estella. With these two remarkable encounters begins Pip’s epic journey from boy to man. When Pip comes of age, Miss Havisham’s lawyer, Jaggers, informs him he has come into great wealth. But who exactly is the source of his mysterious new fortune? And perhaps it is not so easy — or desirable — to leave his humble past behind.
Great Expectations (BBC, 1981)

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